|
再生時間: 527 秒 | ヌード: yes | 作成者: zorg |
新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 237 mb |
ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 648x400 | 追加日: 2023-Oct-09 |
別名: Anne-Charlotte Pascal
身体的特徴: N/A
初出演:
主な役:
キャリアハイライト:
Charlotte Valandrey (1968-2022) was a French actress and author who rose to prominence at age 16 with her César-nominated role in 'Red Kiss' (1985). Born Anne-Charlotte Pascal in Brittany, she adopted her professional name from the coastal town where she grew up. In 1986, Valandrey was diagnosed with HIV at age 17. She married Arthur Lecaisne in 1999 and they had a daughter, Tara. In 2003, Valandrey received a heart transplant after heart attacks caused by her HIV treatment. Her autobiography 'L'Amour dans le sang' (2005) sold over 280,000 copies and was adapted into a TV movie in 2008. She advocated for organ donation until her death on July 13, 2022, awaiting a second heart transplant.
公開年: 1985
国: N/A
別題: Røde kys, Punainen suudelma, A Parigi con amore..., Czerwony pocałunek, Beso rojo, Red Kiss, Rote Küsse
監督: Véra Belmont
プロデューサー: N/A
制作会社: N/A
ジャンル: Drama, Romance
受賞歴:
類似作品: N/A
In Paris, 1952, Nadia, a 15-year-old Communist activist, meets Stéphane, a photographer who saves her from being beaten by police during an anti-American demonstration. They begin a friendship that evolves into a love affair. Meanwhile, some of Nadia's fellow Communists become hostile towards her due to her relationship with Stéphane and her changing beliefs. When she goes away with Stéphane for a photo shoot, Nadia's father reports him to the police, leading Stéphane to consider leaving for Indochina to cover the war. In parallel, Nadia's mother reunites with her prewar lover who was released from Siberia, challenging the French Communists' views.
Rouge Baiser is a 1985 French drama film directed by Véra Belmont, set against the backdrop of post-WWII Parisian political landscape. The story explores Nadia's journey as she navigates her communist upbringing and personal beliefs while falling in love with Stéphane, a photographer. The film also touches upon themes of Stalinism, anti-Semitism, and the changing nature of political ideologies among youth.