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Sans toit ni loi (1985) のシーン

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シーン詳細

再生時間: 75 秒ヌード: yes作成者: zorg
新ファイルサイズ: N/A音声: yes旧ファイルサイズ: 93 mb
ファイル形式: AOMedia Video 1 (WebM/AV1)解像度: 1792x1080追加日: 2018-Feb-26

このシーンの女優


Laurence Cortadellas のポートレート

Laurence Cortadellas

本名: Laurence Cortadellas

生年月日: N/A

出生地: N/A

経歴

初出演:

  • Vagabond (1985) as Eliane

主な役:

  • Vagabond (1985) as Eliane

キャリアハイライト:

  • Vagabond (1985)

Macha Méril のポートレート

Macha Méril

本名: Macha Méril

生年月日: 1940-09-03

出生地: Rabat, French Protectorate in Morocco [now Morocco]

詳細

別名: Macha Meril, Macha Meryl, Maria-Magdalena Vladimirovna Gagarina, Marie-Madeleine Gagarine, Маша Мериль

身体的特徴: N/A

経歴

初出演:

  • The Itchy Palm (1960) as Yvette

主な役:

  • Belle de Jour (1967) as Renée
  • The Defector (1966) as Frieda Hoffmann
  • La Dernière Partie (2021) as Louise
  • Letter to my brother Guy Gilles, filmmaker who passed away too soon (1999) as Self
  • 3rd Reich Mothers, in the Name of the Master Race (2012) as Alice Fabre (old)
  • The Married Woman (1964) as Charlotte
  • Chinese Roulette (1977) as Traunitz
  • Beau Pere (1981) as la Maîtresse de maison
  • The Itchy Palm (1960) as Yvette
  • Bolero (1981) as Magda Kremer

キャリアハイライト:

  • Belle de Jour (1967)
  • The Defector (1966)
  • La Dernière Partie (2021)
  • Letter to my brother Guy Gilles, filmmaker who passed away too soon (1999)
  • 3rd Reich Mothers, in the Name of the Master Race (2012)
  • The Married Woman (1964)
  • Chinese Roulette (1977)
  • Beau Pere (1981)
  • The Itchy Palm (1960)
  • Bolero (1981)

完全な経歴

Macha Méril, born Princess Maria-Magdalena Vladimirovna Gagarina on September 3, 1940, in Rabat, Morocco, is a French actress and writer of Russian-Ukrainian nobility descent. She appeared in over 119 films between 1959 and 2007, notable for roles in films directed by Jean-Luc Godard ('Une femme mariée', 1964), Luis Buñuel ('Belle de jour', 1967), and Rainer Werner Fassbinder ('Chinese Roulette', 1976). She also acted in the Quebec series 'Lance et Compte'.


映画について: Sans toit ni loi (1985)

Sans toit ni loi (1985) のポスター

公開年: 1985

国: France

別題: Sin techo ni ley, Без покрив и закон, Os Renegados, En pige på drift, Kuin taivaan lintu, Dihos stegi, dihos nomo, Sem fedél, sem törvény, Senza tetto né legge, Fuyu no Tabi, Vagabond, Bez dachu i praw, Sem Eira Nem Beira, Без крыши, вне закона, Vogelfrei, Without Roof or Law

監督: Agnès Varda

脚本: Agnès Varda

制作 & ジャンル

プロデューサー:

制作会社: Ministère de la culture, Films A2, Ciné-Tamaris, centre mediterraneen de creation cinematographique

ジャンル: Drama, drama film, road movie

受賞歴 & 類似作品

受賞歴:

  • 8 wins & 5 nominations total

類似作品:

  • The Piano (1993)
  • Little Miss Sunshine (2006)
  • Go in the Wilderness (2013)
  • Gandhi (1982)
  • Annaluise & Anton (1999)

ストーリー

In the southern France of winter, a young drifter named Mona is discovered frozen in a ditch. Through a series of flashbacks and brief interviews with those who encountered her, we learn about her final weeks. Mona wanders alone or affiliates herself with various men and women, each projecting their desires onto her or attempting to direct her life. She squats in an abandoned house sharing hash with a man, falls for a Tunisian migrant worker named Jacques and assists him pruning grapevines, stays with a couple tending goats, meets an agronomist fighting to preserve plane trees, gets intoxicated with an elderly woman, and receives an offer to appear in pornographic films. Throughout her journey, Mona remains elusive and enigmatic, never fully attaching herself to any one person or lifestyle.

概要

Directed by the influential French filmmaker Agnès Varda, 'Sans toit ni loi' (No Roof but the Sky) is a poetic exploration of loneliness and marginalization in contemporary France. Released in 1985, the film follows Mona, an aimless drifter with no fixed address or occupation, as she traverses the rural south of France during winter. Varda employs a non-linear narrative structure, utilizing flashbacks and interviews to piece together Mona's life and relationships. The film is notable for its exploration of themes such as alienation, transience, and the plight of marginalized communities, particularly migrant workers.