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再生時間: 12 秒 | ヌード: yes | 作成者: fant606 |
新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 2 mb |
ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 704x304 | 追加日: 2005-Dec-08 |
別名: Chloe Sevigny, Chloë Stevens Sevigny, Chlöe Sevigny, کلوئه سونی, کلوئه سِوینی, کلوئی سونی, کلوئی سِوینی, クロエ・セビニー, 克蘿伊·塞凡妮, 科洛·塞维尼, 클로에 세비니
身体的特徴: N/A
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Chloë Sevigny, born November 18, 1974, is an American actress known for her roles in independent films. She started her career as a model and appeared in music videos before making her film debut in 'Kids' (1995). Sevigny gained prominence with her portrayal of Lana Tisdel in the drama 'Boys Don't Cry' (1999), earning an Academy Award nomination for Best Supporting Actress. Throughout her career, she has acted in various controversial and experimental films such as 'The Brown Bunny' (2004) and television series like 'Big Love' (2006-2011), winning a Golden Globe for Best Supporting Actress in 2010.
公開年: 2002
別題: Sangre de inocentes, Espionagem na Rede, L'amant diabolique, Demonlover.com, Démoni szerető, Демон-любовник
監督: Olivier Assayas
脚本: Olivier Assayas
プロデューサー:
制作会社: Citizen Films, Elizabeth Films, M6 Films, Vértigo Films
ジャンル: Drama, Erotic Thriller, Mystery, Thriller
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キーワード: adult animation, hentai, new french extremism
Diane works for a French firm bidding to purchase a Japanese animation outfit specializing in adult animation ('hentai'). She sabotages her supervisor Karen and takes over her position with the help of Karen's assistant Elise, who initially remains loyal to Diane but later becomes disloyal. When an American web media company led by Elaine enters the competition for the rights to the studio, a power struggle ensues involving espionage and violence. The plot thickens when it is discovered that one of the parties controls an internet site broadcasting actual torture.
Demonlover (2002) is a French film directed by Olivier Assayas, set against the backdrop of corporate competition in the adult animation industry. The movie explores themes of ambition, betrayal, and power struggles within the context of new media and globalized commerce. It's considered part of the 'New French Extremism' movement due to its provocative content and challenging narrative structure.