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Bare Witness (2002) のシーン
シーン詳細
| 再生時間: 211 秒 | ヌード: yes | 作成者: Ribero |
| 新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 28 mb |
| ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 720x528 | 追加日: 2005-Nov-09 |
このシーンの女優
Angie Everhart
詳細
別名: Angela Kay Everhart, انجی اورهارت
身体的特徴: N/A
経歴
初出演:
主な役:
キャリアハイライト:
完全な経歴
Angie Everhart, born Angela Kay Everhart on September 7, 1969, in Scottsdale, Arizona, USA, is an American actress and former model. She gained prominence for her roles in films such as 'Bordello of Blood' (1996) and 'Another 9½ Weeks' (2002).
映画について: Bare Witness (2002)
制作 & ジャンル
プロデューサー:
制作会社: Hemisphere Entertainment, MRG Entertainment, Magic Hour Pictures, Mainline Releasing
ジャンル: Mystery, Romance, Thriller
ストーリー
Professional killer Gav Reed engages in an affair with Julie Spencer, one of Max 'Slim' Reuter's hookers and porn actresses. During a passionate encounter, Gav makes a fatal mistake: he allows himself to be videotaped by Julie for her documentary about the 'real nocturnal elder business.' While they're together, Gav takes an incriminating call about his latest hit job at a high society campaign party for mayor Garland's electoral challenger Mary Washington. However, councilor Frank Constantine ends up taking the bullet meant for Mary. Gav's client, businessman Ian Hunter, becomes aware of the videotape and sends his girl Marina to eliminate Gav and Julie. Detective Killian investigates the murders with the help of Julie's friend Carly Marsh, uncovering more sordid connections.
概要
Bare Witness is a neo-noir thriller directed by Kelley Cauthen that explores the gritty underbelly of crime and politics in an unnamed American city. The film follows professional killer Gav Reed as he navigates a treacherous landscape of power, sex, and corruption. At its core, Bare Witness is a tale of mistakes and their consequences, as Gav's fleeting moment of intimacy with Julie Spencer sets off a chain reaction of violence and betrayal. The movie also touches on themes of truth and lies, as characters grapple with the reality of their actions versus the narratives they spin to protect themselves.