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Drei Mädels von der Tankstelle (1997) のシーン
シーン詳細
| 再生時間: 42 秒 | ヌード: yes | 作成者: erotic4u |
| 新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 3 mb |
| ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 320x240 | 追加日: 2005-May-01 |
このシーンの女優
Franka Potente
詳細
別名: Franke Potente, Франка Потенте, فرانکا پوتنته, فرانکا پوتهنته, フランカ・ポテンテ
身体的特徴: N/A
経歴
初出演:
主な役:
キャリアハイライト:
完全な経歴
Franka Potente, born July 22, 1974 in Münster, Germany, rose to prominence as an actress with her role in the German film 'Nach Fünf im Urwald' (1995). She gained international recognition for her lead role in 'Run Lola Run' (1998), which earned her several awards. After successful roles in German cinema, she transitioned into Hollywood films like 'Blow' (2001) and 'The Bourne Identity' (2002). Potente has also appeared in various American TV series and directed a silent comedy, 'Der die Tollkirsche ausgräbt', in 2006. She primarily resides in Berlin when not working on location.
映画について: Drei Mädels von der Tankstelle (1997)
制作 & ジャンル
受賞歴 & 類似作品
受賞歴: N/A
類似作品:
キーワード
キーワード: difficult childhood, misogyny, poodle, therapist
ストーリー
The movie 'Drei Mädels von der Tankstelle' (1997) is a comedy that attempts to remake the classic German film 'Die drei von der Tankstelle'. The film follows three talented individuals, Franka Potente, Felix von Manteuffel, and Wigald Boning, who are trying to make it big in the entertainment industry. However, despite their talents and efforts, they struggle and fail repeatedly. The story is criticized for being poorly executed, with even the director Peter F. Bringmann not delivering his usual quality as seen in his previous film 'Theo gegen den Rest der Welt'. Despite having a decent scriptwriter in Thomas Kahl (who co-wrote 'Wir können auch anders'), the movie falls short of expectations.
概要
'Drei Mädels von der Tankstelle' is a German comedy film from 1997 that attempts to recreate the success of the original 'Die drei von der Tankstelle'. Directed by Peter F. Bringmann and starring Franka Potente, Felix von Manteuffel, and Wigald Boning, the film was intended to be a vehicle for Boning's TV comedy. However, despite the talent involved, including Bringmann who had previously directed 'Theo gegen den Rest der Welt', and Kahl who co-wrote 'Wir können auch anders', the movie is widely criticized as one of the worst films of its decade. The film struggles to find an audience or critical acclaim, with viewers advised to avoid it unless interested in seeing one of Franka Potente's least successful performances.