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再生時間: 70 秒 | ヌード: yes | 作成者: BadCat |
新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 12 mb |
ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 496x240 | 追加日: 2005-May-01 |
別名: Liz Hurley, الیزابت هارلی
身体的特徴: N/A
初出演:
主な役:
キャリアハイライト:
Elizabeth Hurley, born June 10, 1965 in Basingstoke, Hampshire, England, rose to fame as a model and actress. She gained media attention for her relationship with Hugh Grant, who she met while filming 'Remando al Viento' (1987). Despite their eventual amicable split after 13 years, they remained close. Hurley is known for her work with Estée Lauder and her roles in the Austin Powers films. She has one child, Damian Charles Hurley, with Steve Bing. In 2007, she married Arun Nayar.
公開年: 1987
国: United Kingdom, United States of America
別題: Ария, Ária, Un sketch, Arya
監督: Bill Bryden, Bruce Beresford, Charles Sturridge, Derek Jarman, Franc Roddam, Jean-Luc Godard, Julien Temple, Ken Russell, Nicolas Roeg, Robert Altman
脚本: Bill Bryden, Bruce Beresford, Charles Sturridge, Derek Jarman, Don Boyd, Franc Roddam, Julien Temple, Ken Russell, Nicolas Roeg, Robert Altman
プロデューサー:
制作会社: Lightyear Entertainment, R.V.P. Productions, Virgin Vision
ジャンル: Anthology, Avant-Garde, Comedy, Drama, Music, Musical
受賞歴: N/A
類似作品:
キーワード: anthology, assassin, ballet, eroticism, exile, gambling, infidelity, love, mask, murder, nightclub, opera, self-harm, suicide, surrealism
Aria (1987) is an anthology film consisting of ten shorts directed by different acclaimed filmmakers, each interpreting a specific aria from opera. The directors include Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses the chosen aria as its soundtrack, with the film's visuals serving as an interpretation of the music.
'Aria' is a unique cinematic experiment where ten esteemed directors were given the same creative brief: choose an opera piece and create a visual interpretation of it. The result is an exhilarating anthology that spans diverse filmmaking styles, emotions, and themes. While the individual shorts vary greatly in tone, they collectively offer a rich tapestry of eroticism, violence, humor, and poignancy, reflecting the directors' unique visions and interpretations of the operatic music.