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再生時間: 172 秒 | ヌード: yes | 作成者: zorg |
新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 161 mb |
ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1920x856 | 追加日: 2024-Feb-13 |
別名: Άντρια Ράισμπορο, Андреа Райзборо, Андреа Райсборо, آندرهآ رایزبرو, アンドレア・ライズボロー, 安德麗亞·瑞斯波羅格, 안드레아 라이즈버러
身体的特徴: N/A
初出演:
主な役:
キャリアハイライト:
Andrea Louise Riseborough, born November 20, 1981, is an English actress and producer. She made her film debut with a small role in Venus (2006) and has since appeared in prominent roles such as Happy-Go-Lucky (2008), Never Let Me Go, Brighton Rock, Made in Dagenham, W.E. (2011), Shadow Dancer, Disconnect (both 2012), Welcome to the Punch, Oblivion (both 2013), Birdman (2014), Nocturnal Animals (2016), Battle of the Sexes, The Death of Stalin (both 2017), Mandy, Nancy (both 2018), The Grudge, and Possessor (both 2020). For her role in To Leslie (2022), she received an Academy Award nomination for Best Actress. Outside of film, Riseborough has been recognized for her TV roles including Margaret Thatcher in The Long Walk to Finchley (2008) and stage performances such as Miss Julie and Measure for Measure.
公開年: 2022
別題: प्लीज बेबी प्लीज, お願いします、ベイビー、お願いします, Lūdzu, mazulīt, lūdzu, Пожалуйста, детка, пожалуйста, 플리즈 베이비 플리즈
監督: Amanda Kramer
プロデューサー:
制作会社: Rivulet Media, Silver Bullet Entertainment
ジャンル: Drama, Music, Musical
受賞歴:
類似作品:
キーワード: lgbt, musical style, street gang, west side story
In the gritty streets of 1950s Manhattan, newlyweds Suze and Arthur unwittingly witness a murder committed by a greaser gang. This act draws the dangerous obsession of the gang towards the couple, awakening a complex quandary concerning their sexual identity.
Please Baby Please is a 2022 film directed by Amanda Kramer, set against the backdrop of gritty 1950s Manhattan. The movie follows newlyweds Suze and Arthur as they become entangled in a dangerous obsession with a greaser gang after witnessing a murder. This event triggers a deep exploration into the couple's sexual identity, reflecting themes of gender fluidity and self-discovery amidst societal pressures.