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再生時間: 425 秒 | ヌード: yes | 作成者: zorg |
新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 310 mb |
ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1480x1080 | 追加日: 2023-Sep-26 |
別名: Chantal Ackerman, Chantal Anne Akerman, 샹탈 아커만, 샹탈 아케르만, 샹탈 애커만
身体的特徴: N/A
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キャリアハイライト:
Chantal Anne Akerman (1950-2015) was a Belgian film director, artist, and professor of film at City College, New York. Known for her 1975 film 'Jeanne Dielman', she distanced herself from the feminist label while acknowledging influences from Gilles Deleuze, Felix Guattari, Michael Snow, and Jean-Luc Godard. Akerman's directorial style has been cited as an influence by directors such as Kelly Reichardt, Gus Van Sant, and Sofia Coppola.
別名: Claire Vauthion
身体的特徴: N/A
初出演:
主な役:
キャリアハイライト:
Claire Wauthion was born on June 12, 1945 in Rongy, Wallonia, Belgium. She is an actress known for her roles in 'Les brigades du Tigre' (1974), 'Tristan et Iseult' (1972), and 'Trompe l'oeil' (1975).
公開年: 1974
別題: Yo, Tú, Él, Ella, Ik, jij, hij, zij, Eu, Tu, Ele, Ela, Je, tu, il, elle, 私、あなた、彼、彼女, Yo, tú, él y ella, Ja, ty, on, ona, Я, ты, он, она, Ich, du, er, sie, I, You, He, She
監督: Chantal Akerman
プロデューサー:
制作会社: French Ministry of Foreign Affairs, Paradise Films
ジャンル: Drama, French New Wave, Lgbt-Related Film, Romance, Romance Film
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キーワード: break-up, female homosexuality, truck, woman director
The film follows a woman's emotional and physical journey following a breakup with her lover. After attempting to cope with her emotions by painting her room twice, writing and rewriting letters, and consuming powered sugar for over a month, she eventually leaves her home. She hitches a ride with a truck driver who propositions her for a hand job in exchange for food. They stop at various diners and bars before she arrives at her former lover's apartment. Her ex-lover allows her to stay the night after feeding her, despite initially refusing.
Directed by Chantal Akerman, 'Je tu il elle' (1974) is a dramatic exploration of emotional turmoil following a breakup. The film focuses on a woman navigating her grief and hunger through physical acts such as painting her room and hitching rides with strangers. The movie is notable for its raw portrayal of female homosexuality during the French New Wave movement.