Storia di una monaca di clausura (1973) のシーン
シーン詳細
時間: 518 秒 | ヌード: yes | 制作者: zorg |
新しいファイルサイズ: 101 MB (90% 節約) | 音声: yes | 古いファイルサイズ: 998 MB |
ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1920x1080 | 追加日: 2022-Aug-31 |
このシーンの女優
Eleonora Giorgi
詳細
別名: Элеонора Джорджи
身体的特徴: N/A
キャリア
初登場:
- The Black Belly of the Tarantula (1971) として Maid in beauty parlor
最も重要な役:
- A Spiral of Mist (1977) として Lidia
- Born Winner (1976) として Marzia
- Taste of the Sea 2: One Year Later (1983) として Tea
- Talcum Powder (1982) として Nadia Vandelli
- Velvet Hands (1979) として Tilli
- Grand Hotel Excelsior (1982) として Ilde Vivaldi
- Inferno (1980) として Sara
- The Big Fox (1988) として Francesca Corvino
- Appassionata (1974) として Nicola
- Magic Touch (1983) として Franca Ferrini
キャリアハイライト:
- A Spiral of Mist (1977)
- Born Winner (1976)
- Taste of the Sea 2: One Year Later (1983)
- Talcum Powder (1982)
- Velvet Hands (1979)
- Grand Hotel Excelsior (1982)
- Inferno (1980)
- The Big Fox (1988)
- Appassionata (1974)
- Magic Touch (1983)
完全な経歴
Eleonora Giorgi, born on October 21, 1953 in Rome, Italy, to parents of Italian, English, and Hungarian descent, is an Italian actress. She began her acting career at age eighteen with a minor role in 'Black Belly of the Tarantula' (1970). Her breakthrough came with 'Story of a Cloistered Nun' (1973), followed by notable roles in films like 'La sbandata' (1974) and 'The Sex Machine' (1975). Known for her dramatic performances in 'To Forget Venice' (1979), 'Inferno' (1980), and 'Beyond Obsession' (1982), Giorgi transitioned to comedy in the early 1980s, winning awards for her role in 'Borotalco' (1982). In 2003, she wrote, directed, and acted in 'Uomini & donne, amori & bugie'.
このテキストは英語でのみ利用可能です。
Paola Senatore
キャリア
初登場:
- Robin Hood, l'invincibile arciere (1970) として
最も重要な役:
- The Doctor Prefers Sailors (1981) として Paola
- Images in a Convent (1979) として Isabella
- Eaten Alive! (1980) として Diana Morris
- Story of a Cloistered Nun (1973) として
- Women in Cell Block 7 (1973) として Musumeci
- Zig Zig (1975) として Madame Bruyère
- Like Rabid Dogs (1976) として Germana
- Malombra (1984) として Carlotta
- Where Can You Go Without the Little Vice? (1979) として Simona Beltramelli
- Nonstop in the Dark Room (1985) として
キャリアハイライト:
- The Doctor Prefers Sailors (1981)
- Images in a Convent (1979)
- Eaten Alive! (1980)
- Story of a Cloistered Nun (1973)
- Women in Cell Block 7 (1973)
- Zig Zig (1975)
- Like Rabid Dogs (1976)
- Malombra (1984)
- Where Can You Go Without the Little Vice? (1979)
- Nonstop in the Dark Room (1985)
完全な経歴
Paola Senatore, born November 9, 1949 in Rome, Italy, was an Italian actress known for her work in Italian genre films during the 1970s, including poliziotteschi, commedia sexy all'italiana, giallo films, and cult movies like Ricco the Mean Machine (1973), The Flower with the Petals of Steel (1973), and Emanuelle in America (1977). After starring in soft-core erotic films and struggling with drug problems, she appeared in pornographic magazines and a hard-core film. Her career ended in 1985 after arrest for drug possession and trafficking.
このテキストは英語でのみ利用可能です。
Unknown Girls の詳細な経歴はありません。
映画について: Storia di una monaca di clausura (1973)
公開年: 1973
別題: Diary of a Cloistered Nun, Story of a Cloistered Nun, The Diary of a Closeted Nun, Historia de una monja de clausura, Kielletyn luostarin salaisuus, Une histoire du 17ème siècle, I istoria mias monahis, De non en haar duivel, Unholy Convent, Der Nonnenspiegel
制作 & ジャンル
ストーリー
Carmela, a young aristocrat, refuses an arranged marriage and is sent to a convent. Her arrival sparks tension between two powerful nuns: Elizabeth, who maintains a decadent lifestyle with her influential family's support and harbors sapphic desires for Carmela; and the stern Mother Superior, who also takes a liking to Carmela's beauty. The power struggle intensifies as both women vie for Carmela's affections.
このテキストは英語でのみ利用可能です。
概要
Storia di una monaca di clausura is a 1973 film by Domenico Paolella that explores themes of power, desire, and rebellion within the confines of a convent. The movie is notable for being one of the earliest examples of 'nunsploitation' cinema, a genre that combines elements of exploitation films with religious settings. Though it has been widely imitated, many consider this film to be the artistic peak of the genre.
このテキストは英語でのみ利用可能です。