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Bez konca (1985) のシーン
シーン詳細
| 再生時間: 271 秒 | ヌード: yes | 作成者: zorg |
| 新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 536 mb |
| ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1794x1080 | 追加日: 2021-Jan-24 |
このシーンの女優
Grazyna Szapolowska
経歴
初出演:
主な役:
キャリアハイライト:
完全な経歴
Grażyna Szapołowska, born on September 19, 1953, is a Polish actress known for her work in film and theatre. After completing her education at the Theatre Art School in Warsaw, she joined the National Theatre in Warsaw from 1977 to 1984. She gained international recognition for her roles in Krzysztof Kieślowski's films 'Bez końca' (1985) and 'A Short Film About Love' (1988), with the latter originally being the sixth episode of 'Dekalog'. Notably, Szapołowska suggested the alternative ending for the full-length version of 'A Short Film About Love'. Her work in these films showcases her versatility and skill as an actress.
映画について: Bez konca (1985)
公開年: 1985
国: N/A
別題: Sem Fim, Без край, Sans fin, Blind kærlighed, Ilman loppua, Sans fin, Befejezés nélkül, Senza fine, 終わりなし, Be pabaigos, Bez końca, Brez konca, Без конца, Sense fi, Utan slut, Det nakna ansiktet, Sonsuz, No End, Ohne Ende
制作 & ジャンル
プロデューサー: N/A
制作会社: N/A
ジャンル: Drama, Romance
ストーリー
The story unfolds in Poland during martial law in 1982. Ulla, a translator working on George Orwell's novels, loses her husband Antek, an attorney. Grief-stricken, she finds solace in her work and seeks help from hypnosis. Meanwhile, she helps the wife of Darek, a jailed Solidarity strike organizer, find Labrador, an aging lawyer to defend him. Labrador uses political manipulations and psychological tactics to free Darek.
概要
Directed by Krzysztof Kieslowski in 1985, 'Bez konca' (English: 'Without End') is a Polish drama that explores themes of grief, loss, and survival amidst political turmoil. The film centers around Ulla, a translator whose life unravels after the sudden death of her husband Antek. As she struggles to cope with her grief, she becomes entwined in the plight of Darek, a jailed Solidarity activist. Kieslowski uses this personal narrative against the backdrop of Poland's martial law era, examining how individuals navigate their own emotional landscapes while surrounded by political chaos.