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再生時間: 208 秒 | ヌード: yes | 作成者: supers992 |
新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 153 mb |
ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1448x1080 | 追加日: 2020-Jul-12 |
別名: Golshifte Farahani, Rahavard Farahani, Гольшифте Фарахані, Гольшифтех Фарахані, Гольшіфте Фарахані, گلشیفته فراهانی, 格什菲·法拉哈尼, 골쉬프테 파라하니
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Golshifteh Farahani, born on July 10, 1983, is an international Iranian actress with dual Iranian and French nationality. She began her acting career at age six and has appeared in over 40 films, many of which have been screened or awarded at international festivals. Some notable works include 'Half Moon' by Bahman Ghobadi, 'Santoori' by Dariush Mehrjui, 'M for Mother', and 'About Elly' by Asghar Farhadi. She gained global recognition in Ridley Scott's 'Body of Lies' (2008), becoming the first Iranian to act in a major Hollywood production. Other notable films include 'Paterson' (2016) with Adam Driver, the last 'Pirates of the Caribbean' installment (2017), and 'Santa & Cie' (2017).
公開年: 2019
国: N/A
別題: L'Angle Mort, Blind Spot
監督: Patrick-Mario Bernard, Pierre Trividic
脚本: Emmanuel Carrère, Patrick-Mario Bernard, Pierre Trividic
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ジャンル: Drama
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Dominick possesses an extraordinary ability; he can turn invisible at will. However, this power brings him no joy nor advantage in life. Instead of embracing it, he conceals his gift from loved ones, as if it were a curse. The strain of controlling his invisibility begins to affect Dominick's relationships and mental stability. In 'L'angle mort', directed by Patrick-Mario Bernard and Pierre Trividic, we follow Dominick's struggle to balance his power with his personal life.
'L'angle mort' (2019), a French drama directed by Patrick Mario Bernard and Pierre Trividic, is an unconventional exploration of the superhero genre. Unlike typical superhero narratives, 'Blind Spot', as it's known in English, presents a melancholic and introspective take on extraordinary abilities. The film follows Dominick, whose power to become invisible offers him no solace or advantage in life. Instead, it becomes a source of struggle and isolation for him. This anti-spectacular approach challenges the usual tropes of superhero cinema.