|
再生時間: 51 秒 | ヌード: yes | 作成者: zorg |
新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 50 mb |
ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1792x1080 | 追加日: 2019-Oct-01 |
別名: Barbara Sukova
身体的特徴: N/A
初出演:
主な役:
キャリアハイライト:
Barbara Sukowa, born February 2, 1950, is a German actress known for her work with directors Rainer Werner Fassbinder and Margarethe von Trotta. She won the Cannes Film Festival Award for Best Actress for 'Rosa Luxemburg' (1986) and has appeared in films like 'Lola' (1981), 'Europa' (1990), 'M. Butterfly' (1993), and 'Hannah Arendt' (2012).
初出演:
主な役:
キャリアハイライト:
Jutta Lampe starred as Marianne, one of the two priest's daughters in the 1981 German film 'Die bleierne Zeit'. In the story, Marianne joins a terroristic organization to fight for societal changes while her sister Juliane (played by Angelica Domröse) remains connected to her despite their differing methods and views.
公開年: 1981
国: N/A
別題: Las hermanas Alemanas, Dark Times, Os Anos de Chumbo, De tyske søstre, Tyska systrarna, Sisarukset, Les années de plomb, I pragmatiki alitheia gia tis Marianne K., Ólomidő, Anni di piombo, Czas olowiu, Anos de Chumbo, Anii de plumb, Olovna vremena, Свинцовые времена, Två tyska systrar, The German Sisters, Marianne & Juliane, Marianne and Juliane
プロデューサー: N/A
制作会社: N/A
ジャンル: Drama, Historical Film
受賞歴:
類似作品: N/A
In Germany during the late 1960s, two sisters, Marianne and Juliane, both fight for societal changes but differ in their methods. Marianne becomes involved with a terrorist organization while Juliane pursues journalistic means to bring about change. After Marianne's arrest and imprisonment, Juliane remains her sole connection to the outside world. Despite differing views, Juliane continues to support Marianne, questioning the justice of her sister's treatment.
Die bleierne Zeit (The German text) is a 1981 film directed by Margarethe von Trotta that explores the political and social turmoil in Germany during the late 1960s. The movie focuses on two sisters, Marianne and Juliane, who engage in activism but choose different paths to achieve their goals. While Marianne resorts to radical methods through a terrorist organization, Juliane employs journalistic means to advocate for change. The film delves into themes of sisterhood, political beliefs, and the consequences of activism.