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Le fantôme de la liberté (1974) のシーン
シーン詳細
| 再生時間: 127 秒 | ヌード: yes | 作成者: zorg |
| 新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 158 mb |
| ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1808x1080 | 追加日: 2018-Sep-25 |
このシーンの女優
Adriana Asti
詳細
別名: Adelaide Aste
身体的特徴: N/A
経歴
初出演:
主な役:
キャリアハイライト:
完全な経歴
Adriana Asti, born in Italy, is known for her role as Lidia in the surrealist French film 'Le fantôme de la liberté' (1974). The film explores the absurdity of daily life through a series of vignettes, blending historical figures like Napoleon Bonaparte with ordinary situations. Asti's character, Lidia, plays a crucial role in this exploration of how normality can be distorted.
Hélène Perdrière
本名: Hélène Perdrière
生年月日: 1910-04-17
出生地: Asnières, Seine [now Asnières-sur-Seine, Hauts-de-Seine], France
詳細
別名: Helene Perdriere, Hélène Perdrière Sociétaire de la Comédie Française
身体的特徴: N/A
経歴
初出演:
主な役:
キャリアハイライト:
完全な経歴
Hélène Perdrière, born on April 17, 1912 in Asnières-sur-Seine, France and died on August 27, 1992 in Boulogne-Billancourt, was a French stage and film actress. She won a first prize for comedy at the National Conservatory of Dramatic Art in 1928. Perdrière began her career as the first resident of Comédie-Française but left to partner with Pierre Fresnay in boulevard theaters. She returned to Comédie-Française in 1952 and stayed until its closure in 1973, staging several plays of Marivaux. After retirement, she worked with the Renaud-Barrault Company.
映画について: Le fantôme de la liberté (1974)
公開年: 1974
国: N/A
別題: The Specter of Freedom, El fantasma de la libertad, De Schim der Vrijheid, Фантомът на свободата, O Fantasma da Liberdade, The Phantom of Liberty, Prelud svobody, Frihedens spøgelse, Vapauden aave, To fantasma tis eleftherias, A szabadság fantomja, Il fantasma della libertà, Jiyû no gensô, Frihetens fantom, Widmo wolnosci, Fantoma libertăţii, Frihetens fantom, Призрак свободы, Das Gespenst der Freiheit
監督: Luis Buñuel
制作 & ジャンル
プロデューサー: N/A
制作会社: N/A
ジャンル: Comedy, Comedy Film
ストーリー
The film 'Le fantôme de la liberté' (1974) directed by Luis Buñuel is a comedic exploration of the human psyche. The narrative is split into two parts, each focusing on different characters but sharing similar themes and situations in an ironic and absurd manner.
In the first part, 'The Temptation of St. Anthony,' a man named Joseph, played by Jean-Claude Bouillon, goes through a series of surreal events and encounters while traveling across France. Throughout his journey, he experiences various bizarre situations, such as being greeted with a grand parade despite not being expected, finding himself in a room full of people eating at an extravagant banquet only to realize they're all naked but him, and encountering a group of people engaged in a peculiar form of torture.
In the second part, 'The Phantom of Liberty,' a group of men meet at a restaurant for a mysterious ritual involving a locked door. The narrative then follows different characters who are connected through this ritual, with each segment showcasing Buñuel's signature absurdist humor and social critique. For instance, one segment involves a thief stealing items from people's homes but finding himself unable to sell them due to their lack of value.
The film culminates in a surreal and absurd final scene at a dinner party where the guests are served human feces on plates, highlighting Buñuel's provocative and subversive approach.
概要
'Le fantôme de la liberté' (1974) is a French comedy-drama directed by renowned Spanish filmmaker Luis Buñuel. Known for his surrealist and satirical style, Buñuel explores themes of society, religion, and human nature in this two-part film.
The film's title translates to 'The Phantom of Freedom,' reflecting Buñuel's critique of societal norms and the illusion of liberty. The narrative is divided into two parts, each with its own set of absurd and humorous situations that serve as commentary on various aspects of life.
'Le fantôme de la liberté' is considered a classic example of Luis Buñuel's unique cinematic vision and his ability to provoke thought through the use of humor and surrealism. Although the plot details provided in available sources are limited, these descriptions offer insight into the film's absurdist comedy and social critique.