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Human Stain (2003) のシーン
シーン詳細
| 再生時間: 318 秒 | ヌード: yes | 作成者: Ruffah |
| 新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 191 mb |
| ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1920x816 | 追加日: 2017-Sep-13 |
このシーンの女優
Jacinda Barrett
詳細
別名: جاسیندا بارت
身体的特徴: N/A
経歴
初出演:
主な役: N/A
キャリアハイライト:
完全な経歴
Jacinda Barrett, born August 2, 1972 in Sydney, Australia, is an Australian-American actress who rose to prominence as a cast member on 'The Real World: London'. She has since appeared in various films such as 'Ladder 49', 'The Namesake', and 'Bridget Jones: The Edge of Reason'. Notably, she played the role of Janice Roth in the 2003 film 'The Human Stain'.
映画について: Human Stain (2003)
公開年: 2003
国: France, Germany, United States of America
別題: The Human Stain, La piel del deseo, Скрити белези, Revelações, La tache, Der menschliche Makel, Rüvetatud au, La mancha humana, Ihmisen tahra, La couleur du mensonge, To anthropino stigma, Szégyenfolt, Ha-Ketem Ha-Enoshi, La macchia umana, Pietno, Culpa Humana, Запятнанная репутация, Cloveski madez, Insan lekesi
監督: Robert Benton
制作 & ジャンル
プロデューサー:
制作会社: Cinepsilon, Cinerenta, Lakeshore Entertainment, Miramax, Stone Village Pictures
ジャンル: Drama, Film Based On A Novel, Romance, Romance Film, Thriller
受賞歴 & 類似作品
受賞歴: N/A
類似作品:
キーワード
ストーリー
Coleman Silk (Anthony Hopkins), a respected literature professor at Athena College, unwittingly makes a racial slur during a lecture, which leads to his dismissal despite his claims that he was referring to a visible stain on a student's dress. To clear his name and regain his reputation, Coleman writes a book about the events with his friend and colleague Nathan Zuckerman (Gary Sinise), who discovers a long-buried secret from Coleman's past while helping him write the book.
概要
Human Stain is a 2003 film directed by Robert Benton, based on Philip Roth's novel of the same name. The movie explores themes of race relations, identity, and the human capacity for reinvention through its protagonist Coleman Silk, who passes as white despite being African American. Coleman's past as a 'black' man in America is revealed to Nathan Zuckerman during their collaboration on the book, challenging Coleman's understanding of his own identity and the complex dynamics of race and prejudice.