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再生時間: 162 秒 | ヌード: yes | 作成者: zorg |
新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 150 mb |
ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1920x816 | 追加日: 2017-May-23 |
本名: Lynda Stoner
生年月日: N/A
出生地: N/A
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キャリアハイライト:
Lynda Stoner, born Lynda Carol Kotz in the United States, is known for her role in the 1982 film 'Turkey Shoot'. The movie is set in a totalitarian country where prisoners are sent to be rehabilitated and reeducated. In this harsh environment, guards torture and kill prisoners for sport, culminating in an event called the Turkey Shoot, where select prisoners are hunted for sport.
別名: Olivia Osuna Hussey, اولیویا هاسی, اُلیویا هاسی
身体的特徴: N/A
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キャリアハイライト:
Olivia Hussey, born April 17, 1951 and passed away December 27, 2024, was an Argentine-British actress renowned for her roles as Juliet in Romeo and Juliet (1968), Jess Bradford in Black Christmas (1974), Norma Bates in Psycho IV: The Beginning (1990), and Audra in Stephen King's It (1990).
Unknown Girls の詳細な経歴はありません。
公開年: 1982
別題: Fangejagten, El imperio de la muerte, Kalkkunan metsästys, Les traqués de l'an 2000, Blood Camp Thatcher, Haristiki voli, Pulykavadászat, Slaughter Game, Helvetesjakten, Охота на индюшек, Стрельба по живым мишеням, Escape 2000, Insel der Verdammten
脚本: David Lawrence, George Schenck, Jon George, Neill D. Hicks, R. Wayland Williams, Robert Williams
プロデューサー:
制作会社: FGH, Filmco Limited, Hemdale
ジャンル: Action, Drama, Horror, Science Fiction
受賞歴: N/A
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キーワード: dark comedy, death, dystopia, escape, exploding body, explosion, future, machete, rape, sadism, satire, survival, torture, werewolf
In an unspecified future after a devastating holocaust, survivors are forced into prison camps and hunted for sport by the camp leaders, who take sadistic pleasure in their prey's suffering. Among the newest prisoners is Paul, who is determined not to go down without a fight.
Turkey Shoot (1982), directed by Brian Trenchard-Smith, is an Australian-British dystopian action film that blends elements of horror, dark comedy, and satire. Set in a post-apocalyptic future where survivors are herded into prison camps for the amusement of their captors, the film serves as a critique of authority and sadism. The story focuses on Paul, one of the newest prisoners who refuses to be hunted like an animal, offering a glimmer of hope amidst the despair.