Scene from Dom (2011)

Alternate Names: Ekaterina Rednikova, Yekatherina Rednikova, Екатерина Редникова

Physical Characteristics: N/A

First Appearances:

• Ladies' Man (1990) as

Most Important Roles:

• The One Who Switches Off the Light (2008) as
• Ladies' Man (1990) as
• Homeland or death (2007) as
• Bitch (2009) as
• The Thief (1997) as Katya
• If you hear me (2007) as
• Just My Luck (2007) as
• Home (2011) as Natalya
• Risk Without Contract (1992) as Татьяна
• Lady Into Lassie (1995) as Nastya

Career Highlights:

• The One Who Switches Off the Light (2008)
• Ladies' Man (1990)
• Homeland or death (2007)
• Bitch (2009)
• The Thief (1997)
• If you hear me (2007)
• Just My Luck (2007)
• Home (2011)
• Risk Without Contract (1992)
• Lady Into Lassie (1995)

"Mr. Skin frequently finds himself contemplating Eastern European women, drawn to their physique, alluring accents, and stoic composure—traits that inspire his ardor. This fascination traces back to Russia, sparked by Yekaterina Rednikova, a striking brunette from the former Soviet Union who embraces a revolutionary approach to attire, eschewing it whenever possible.

Yekaterina's initial forays into baring her assets came in 'The Thief' (1997), which proved a substantial windfall for appreciative viewers. She followed this up with another disarming display in 'Falling Through' (2000). In the spirit of communist wealth redistribution, Yekaterina has been generous in sharing her bounty with Mr. Skin and his followers.

Entering the 21st century, Yekaterina secured numerous TV roles in series like 'Uboynaya Sila' and 'The Last Armored Train,' along with various film appearances, such as the TV movies 'Put samtsa' (2008) and 'Sterva' (2009). While her fans reveled in these opportunities to admire their idol, concerns grew that her celebrated 'holy trinity' might never be seen again. Those fears were allayed in 2011 when she accepted the role of Natalya in 'Home.'

The film's most memorable scene unfolds as Yekaterina sheds her garments in a field, only to dash into her lover's arms before cutting abruptly to a bedroom interlude. Here, viewers are treated to generous glimpses of derriere, bosom, and even an untrimmed bush—truly a feast for the eyes.

Patience, it seems, can indeed be rewarded, as Yekaterina's long-awaited return to full frontal nudity proved in 2011."