女優: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

映画タイトル: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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シーン詳細

時間: 436 秒.ヌード: yes作成者: Ruffah
新しいファイルサイズ: Loading...サウンド: yes古いファイルサイズ: 144 mb
ファイル形式: AOMedia Video 1 (WebM/AV1)解像度: 720x400追加日: 2016-08-22

このシーンの女優


プレビュー画像 Laura Gemser
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本名: Laurette Marcia Gemser

生年月日: 1950-10-05

出生地: Surabaya, East Java, Indonesia

詳細

別名: Moira Chen, Laurette Marcia Gemser, 劳拉·贾姆瑟, Emanuelle, لورا جمسر

身体的特徴:

  • Ethnicity: Asian
  • Boobs: Natural
  • Hair Color: Black
  • Eye Color: Brown

経歴

初登場:

  • Free Love (1974) として Jeanine

最も重要な役:

  • Erotic Nights of the Living Dead (1980) として Luna
  • Quest for the Mighty Sword (1990) として Grimilde
  • Reflections of Light (1988) として Chiara
  • Top Model (1988) として Dorothy / Eve
  • The Best of Sex and Violence (1982) として (archive footage)
  • Web of Desire (1991) として Jackie Forrest
  • Famous T & A (1982) として Emanuelle (archive footage)
  • Crime Busters (1977) として Suzy Lee
  • ...And Give Us Our Daily Sex (1979) として Amiga de Verónica
  • Ator, the Fighting Eagle (1982) として Indun

経歴のハイライト:

  • Erotic Nights of the Living Dead (1980)
  • Quest for the Mighty Sword (1990)
  • Reflections of Light (1988)
  • Top Model (1988)
  • The Best of Sex and Violence (1982)
  • Web of Desire (1991)
  • Famous T & A (1982)
  • Crime Busters (1977)
  • ...And Give Us Our Daily Sex (1979)
  • Ator, the Fighting Eagle (1982)

完全な経歴

Laurette Marcia "Laura" Gemser (born October 5, 1950, Java, Indonesia) is a Dutch-based actress of Indo descent. She is known for her work with director Joe D'Amato and Bruno Mattei, in particular, for doing a set of exploitation-style and Black Emmanuelle films. Gemser has also been credited as Moira Chen, most notably in Love Is Forever (1983).

Gemser left Indonesia in 1955, at the age of four, and moved with her parents to the Netherlands. She grew up in the Dutch city of Utrecht, where she attended the MULO Regentesseschool high school. After that, she attended the Artibus Art School in Utrecht, where she specialized in fashion design. In 1975 she moved to Italy.

After modelling in various magazines in the Netherlands and Belgium, Gemser began to take part in some soft erotic films. She became internationally recognised after starring in a number of Black Emanuelle films in the 1970s.

Her most mainstream and well-received role was as Laotian refugee Keo Sirisomphone in Michael Landon's 1983 American television movie, Love Is Forever, in which she was credited as Moira Chen.[citation needed] Gemser continued to do films: at times, she worked with her actor husband, Gabriele Tinti. In the 1990s, she left the movies to do costume designing for film. In addition, she lost her husband, who died of cancer in 1991. Today she lives in retirement and low profile in Rome, but she is still remembered as one of the many beautiful women who played the sensual adventuress Emmanuelle.


Poster for Violenza in un carcere femminile (1982)
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公開年: 1982

国: France, Italy

別タイトル: Emanuelle Reports from a Women's Prison, Caged Women, Chicks in Chains, Emmanuelle in Hell, Escravas da Corrupção, Laura - Eine Frau geht durch die Hölle, Pénitencier de femmes, Violence in a Women's Prison

監督: Bruno Mattei

脚本家: Ambrogio Molteni, Claudio Fragasso

制作&ジャンル

プロデューサー: N/A

会社: Les Films Jacques Leitienne, Beatrice Film, Imp.Ex.Ci.

ジャンル: Action, Drama, Prison Film

受賞&類似

受賞: N/A

類似:

  • Carver (2008)
  • Thriller: A Cruel Picture (1973)
  • WΔZ (2007)
  • Undisputed (2002)
  • Boogeyman 2 (2007)

キーワード

ストーリー

Violenza in un carcere femminile (1982) follows the story of women inmates subjected to harsh conditions and abuse by prison guards. The movie portrays their struggles, fights for survival, and eventual rebellion against the cruel system.

概要

Directed by Bruno Mattei, Violenza in un carcere femminile is a 1982 Italian exploitation film that falls under the genres of action, drama, and prison films. Set within the confines of a brutal women's prison, the movie focuses on the harsh realities faced by inmates, including physical abuse at the hands of guards. The film explores themes of oppression, resistance, and survival.