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Hardcore Henry (2015) のシーン
シーン詳細
| 再生時間: 325 秒 | ヌード: yes | 作成者: zorg |
| 新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 206 mb |
| ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1280x720 | 追加日: 2016-Jul-01 |
このシーンの女優
Helga Lovekaty
本名: Helga Lovekaty
生年月日: N/A
出生地: N/A
詳細
別名: Olga Korobitsina
身体的特徴: N/A
経歴
初出演:
主な役:
キャリアハイライト:
Liya Sitdikova
本名: Liya Sitdikova
生年月日: N/A
出生地: N/A
経歴
初出演:
主な役:
キャリアハイライト:
Uliya Ivanova
本名: Uliya Ivanova
生年月日: N/A
出生地: N/A
経歴
初出演:
主な役:
キャリアハイライト:
Unknown Girls の詳細な経歴はありません。
映画について: Hardcore Henry (2015)
公開年: 2015
国: China, Russia, United States of America
別題: Hardcore, Hardcore: Misión extrema, Hardcore: Missão Extrema, Raju Henry, Hardcore!, Hardcore Henris, Хардкор
監督: Ilya Naishuller
脚本: Ilya Naishuller
制作 & ジャンル
プロデューサー:
制作会社: Bazelevs Production, Huayi Brothers Pictures, Versus Pictures
ジャンル: Action, Adventure, Science Fiction
受賞歴 & 類似作品
受賞歴: N/A
類似作品:
キーワード
キーワード: cyborg, experimental film, first person view, found footage, good versus evil, gore, levitation, martial arts, moscow, russia, murder, terrorist group
ストーリー
Hardcore Henry follows the titular character who wakes up in a laboratory with no memory of his past. He learns that he has been resurrected as a cyborg by his creator and wife, Estelle, who is currently held captive by a telekinetic tyrant named Akan. Throughout the course of one day in Moscow, Russia, Henry must fight against Akan's army of mercenaries to rescue Estelle. Alongside him is Jimmy, an unknown ally who aids Henry in navigating this dangerous world and surviving his mission.
概要
Hardcore Henry is an action-packed science fiction film directed by Ilya Naishuller, released in 2015. The movie is unique for its first-person perspective, immersing viewers into the action sequences as if they were Henry himself. Set entirely within one day in Moscow, Russia, the story revolves around good versus evil, with Henry trying to save his wife/creator from a psychotic tyrant. The film is notable for its gore, martial arts combat, and levitation abilities exhibited by Akan's character. As an experimental film, it employs found footage techniques to enhance its first-person narrative.