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再生時間: 284 秒 | ヌード: yes | 作成者: Ruffah |
新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 95 mb |
ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 720x480 | 追加日: 2016-Jan-05 |
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Grażyna Szapołowska, born on September 19, 1953, is a Polish actress known for her work in film and theatre. After completing her education at the Theatre Art School in Warsaw, she joined the National Theatre in Warsaw from 1977 to 1984. She gained international recognition for her roles in Krzysztof Kieślowski's films 'Bez końca' (1985) and 'A Short Film About Love' (1988), with the latter originally being the sixth episode of 'Dekalog'. Notably, Szapołowska suggested the alternative ending for the full-length version of 'A Short Film About Love'. Her work in these films showcases her versatility and skill as an actress.
別名: Jadwiga Cieślak-Jankowska, Jadwiga J-Cieslak, Jadwiga Jankowska, Jadwiga Jankowska-Cieślak
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Jadwiga Jankowska-Cieslak starred in the 1982 Hungarian film 'Egymásra nézve', which depicts political and sexual repression in Hungary following the revolution of 1956. The movie explores the relationship between Eva, a political journalist portrayed by Jadwiga, and Livia, played by Ildikó Bánsági. Their story revolves around their growing attraction to each other amidst political turmoil.
公開年: 1982
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別題: Olelkezo tekintetek, La elección de Hanna B., Una cierta mirada, Eva og Livia, Toinen tie, Pathos gynaikon, Anazâ uei, Inne spojrzenie, Outra Forma de Amar, Another Way, Der andere Blick
監督: Károly Makk
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ジャンル: Biography, Drama, History
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In post-1956 Hungary, political journalist Eva Szalanczky is found dead near the border, with her friend Livia hospitalized and Livia's husband Donci arrested. Flashing back to a year prior, we learn that Eva secured a writing job and befriended married woman Livia, who was initially hesitant due to her marital status but grew attracted to Eva nonetheless. Both women struggle professionally due to political censorship, and personally as they grapple with their budding feelings for each other.
Egymásra nézve (1982) explores themes of political and sexual repression in post-revolution Hungary. The film, directed by Károly Makk, is centered around the relationship between Eva Szalanczky, a political journalist, and Livia, her married friend. The narrative unfolds through a series of flashbacks that reveal the events leading up to Eva's tragic death. The story underscores the difficulties faced by individuals seeking personal truth amidst political constraints.