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再生時間: 191 秒 | ヌード: yes | 作成者: zorg |
新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 58 mb |
ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 640x272 | 追加日: 2015-May-25 |
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Isabella Ragonese stars as Angela in 'Viola di Mare' (2009), a film based on a true story set in 19th-century Italy. The narrative explores Angela's unyielding pursuit of her childhood friend Sara, despite obstacles from her father and the church, offering an engaging portrayal of family dynamics, community, and gender roles.
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別名: Michaela Ramazzotti, Michela Ramazzotti, 미카엘라 라마초티
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Micaela Ramazzotti, born on January 17, 1979 in Italy, is an accomplished actress known for her roles in films like 'Non prendere impegni stasera', 'The First Beautiful Thing', and 'Il cuore grande delle ragazze'. She won the David di Donatello for Best Actress for her role in 'The First Beautiful Thing' in 2010. Ramazzotti married director Paolo Virzì on January 17, 2009, and they have two children: Jacopo (born March 1, 2010) and Anna (April 15, 2013).
公開年: 2008
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別題: Das ganze Leben liegt vor Dir, Her Whole Life Ahead, A Whole Life Ahead, Toute la vie devant soi, Előtted az élet
監督: Paolo Virzì
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ジャンル: Comedy, Comedy Film, Drama, Romance
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Marta, a newly graduated girl with high aspirations, finds herself working at a call center selling futuristic appliances. Despite her intelligence and curiosity, she struggles to find fulfillment in this job. The call center environment is portrayed as fast-paced and demanding, with constant motivational dances, prize-giving ceremonies, and public punishments for poor performance. Marta navigates this precarious work universe, meeting various characters like the fanatic sellers and fellow telephone operators who help shape her understanding of this new world.
Tutta la vita davanti is a bittersweet comedy-drama directed by Paolo Virzì, released in 2008. The film follows Marta, a well-educated young woman who finds herself working at a call center after graduation. Through Marta's experiences and observations, the movie offers a critique of modern society, particularly its focus on consumerism, precarious work, and the pressure to conform. Virzì uses humor and pathos to explore Marta's struggle to maintain her individuality amidst the corporate machine.