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Joe (1970) のシーン
シーン詳細
| 再生時間: 46 秒 | ヌード: yes | 作成者: DeepAtSea |
| 新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 16 mb |
| ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 872x480 | 追加日: 2012-Jun-07 |
このシーンの女優
Susan Sarandon
詳細
別名: Susan Abigail Sarandon, Susan Sarendon, Susan Tomalin, Сьюзан Сарандон, سوزان ساراندون, سوزان سارندون, ซูเซิน ซาแรนดอน, スーザン・サランドン, 蘇珊·莎蘭登, 수잔 서랜든, 수전 서랜던
身体的特徴: N/A
経歴
初出演:
主な役:
キャリアハイライト:
完全な経歴
Susan Abigail Sarandon, born on October 4, 1946, is an American actor renowned for her extensive career and numerous accolades, including an Academy Award, a British Academy Film Award, and a Screen Actors Guild Award. She has been nominated for several Daytime Emmy Awards, Primetime Emmy Awards, and Golden Globe Awards. In 2002, she was honored with a star on the Hollywood Walk of Fame.
映画について: Joe (1970)
公開年: 1970
別題: Dzo ... I to je Amerika, Joe - Rache für Amerika, Joe - Skjut varenda jävla hippie!, Joe - armoton, Joe, ciudadano Americano, La guerra del cittadino Joe, Tatmin olmayanlar, The Gap
監督: John G. Avildsen
脚本: Norman Wexler
制作 & ジャンル
プロデューサー:
制作会社: The Cannon Group
ジャンル: Drama, Thriller
受賞歴 & 類似作品
受賞歴:
類似作品:
キーワード
キーワード: abusive father, businessman, drug abuse, drug dealer, drug stealing, free love, gun rampage, orgy, racist, upper class, war veteran
ストーリー
Bill, an affluent businessman and war veteran, murders his daughter's drug-dealing boyfriend in a heated argument. Stricken with panic, he wanders the streets of New Orleans until he finds himself in a bar where he meets Joe Curran, a racist factory worker who harbors violent feelings towards 'hippies' and anyone deemed different. Over drinks, Bill confides in Joe about his recent crime. The two form an uneasy alliance as Joe sees this as an opportunity to fulfill his violent fantasies while helping Bill cover up the murder.
概要
Joe is a 1970 drama-thriller directed by John G. Avildsen and set in the tumultuous era of late-60s America. The film explores themes of class disparity, generational conflict, and racial tension through its central characters: Bill, a wealthy businessman grappling with his daughter's drug addiction and the societal changes around him; and Joe Curran, a working-class racist who embodies the resentment felt by some towards counterculture movements. The movie is notable for its gritty portrayal of New Orleans' underbelly and its examination of violent impulses born from frustration and prejudice.