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Women in Film (2001) のシーン
シーン詳細
| 再生時間: 70 秒 | ヌード: yes | 作成者: bLACK mAGiC |
| 新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 17 mb |
| ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 720x400 | 追加日: 2006-Aug-14 |
このシーンの女優
Beverly d'Angelo
詳細
別名: Beverly Heather D'Angelo, بورلی دی آنجلو, بِوِرلی دی آنجِلو
身体的特徴: N/A
経歴
初出演:
主な役:
キャリアハイライト:
完全な経歴
Beverly D'Angelo, born November 15, 1951, is an American actress known for her role as Ellen Griswold in the 'National Lampoon's Vacation' films (1983–2015). She has appeared in over 60 films and television shows. Notably, she played Sheila Franklin in the musical film 'Hair' (1979), which tells a story about Claude, a young man from Oklahoma who comes to New York City, where he befriends a group of hippies led by Berger, and falls in love with Sheila.
映画について: Women in Film (2001)
制作 & ジャンル
プロデューサー: N/A
制作会社: N/A
ジャンル: Comedy, Drama
ストーリー
In 'Women in Film' (2001), three women navigate their professional and personal lives amidst the backdrop of the Hollywood film industry. Sara, a casting director, struggles with her husband's rejection of their blind infant son Samson and grapples with his infidelity. She addresses her soliloquies to both Samson and actress Holly Hunter. Gina, an eccentric masseuse, schemes to exploit Hollywood players' energy while frequently referencing her deceased sister Wanda who was kidnapped by their father. Phyllis, a film producer sexually abused by her father during her teenage years, produces a remake of Pier Paolo Pasolini's 'Teorema.' As the production falls apart, so does she. The film follows these women over one summer with a coda six months later, and all three characters share a peculiar habit of humming or singing the song 'You made me love you.'
概要
'Women in Film' is a poignant drama-comedy directed by Bruce Wagner that explores the complex lives of three women working within the Hollywood film industry. Released in 2001, the film offers a candid glimpse into the personal struggles and professional challenges faced by its protagonists: Sara (casting director), Gina (masseuse), and Phyllis (film producer). The narrative, set over one summer with a coda six months later, interweaves their stories, each grappling with unique issues rooted in family dynamics and career pressures. Wagner's exploration of women's experiences within the film industry provides a nuanced perspective on the intersection of art, life, and commerce.