|
|
La femme publique (1984) のシーン
シーン詳細
| 再生時間: 73 秒 | ヌード: yes | 作成者: chevreuil |
| 新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 8 mb |
| ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 672x400 | 追加日: 2005-Aug-08 |
このシーンの女優
Valérie Kaprisky
詳細
別名: Valerie Kaprisky, Valérie Cheres, Valérie Chérès
身体的特徴: N/A
経歴
初出演:
主な役:
キャリアハイライト:
完全な経歴
Valérie Kaprisky, born Valerie Chérès on August 19, 1962 in Neuilly-sur-Seine, France, is a French actress known for her roles in both French and American films. She began her career with appearances in soft-core exploitation films like 'Aphrodite', followed by a critically panned but notable role in the remake of 'Breathless' (1983) alongside Richard Gere, with whom she reportedly had an affair. Kaprisky was nominated for a César Award for Best Actress for her performance in Andrzej Żuławski's 'La femme publique' (1984). Her filmography also includes roles in films like 'Mouvements du désir' (1994), although details about this particular film were not provided in the given texts.
映画について: La femme publique (1984)
公開年: 1984
国: N/A
別題: A Mulher Pública, Обществена жена, Femme publique, Kobieta publiczna, Публичная женщина, La mujer pública, The Public Woman, Die öffentliche Frau
監督: Andrzej Zulawski
制作 & ジャンル
プロデューサー: N/A
制作会社: N/A
ジャンル: Drama, Erotic Film
受賞歴 & 類似作品
受賞歴:
類似作品: N/A
ストーリー
A young actress, Sophie (Sophie Marceau), arrives in Paris and lands a role in a film adaptation of Dostoyevsky's 'The Possessed'. The Czech director of the film, Paul (Francis Huster), becomes obsessed with her and takes control over her life. Sophie struggles to distinguish between reality and acting as she becomes deeply immersed in her character. Paul manipulates her into posing as the dead wife of a Czech immigrant named Koudelka (Yves Benezet). Unbeknownst to Sophie, Paul intends for Koudelka to carry out a political assassination under the guise of being Sophie's widower.
概要
La femme publique (1984) is an erotic drama directed by Andrzej Żuławski, based on Sophie Marceau's real-life experiences in the film industry. The movie explores themes of identity, reality versus illusion, and manipulation. It interweaves elements from Fyodor Dostoyevsky's 'The Possessed' with a semi-autobiographical narrative. Although it received mixed reviews upon release, La femme publique is now considered one of Żuławski's most controversial films due to its explicit content and exploration of dark psychological themes.