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Mon crime (2023) のシーン
シーン詳細
| 再生時間: 185 秒 | ヌード: yes | 作成者: supers992 |
| 新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 142 mb |
| ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1920x800 | 追加日: 2023-Dec-20 |
このシーンの女優
Nadia Tereszkiewicz
詳細
別名: Nadia Tereskiewicz
身体的特徴: N/A
経歴
初出演:
主な役:
キャリアハイライト:
完全な経歴
Nadia Tereszkiewicz, born on May 24, 1996, is an actress of French-Finnish origin known for her roles in 'Sauvages' (2018) and 'Persona non grata' (2019).
映画について: Mon crime (2023)
公開年: 2023
国: France
別題: Ese crimen es mío, The Crime Is Mine, Mein fabelhaftes Verbrechen, O Crime é Meu, 我的罪行, Rikos on minun, Bűnös vagyok, Mon Crime - La colpevole sono io, 私がやりました, Mi crimen, Det var jeg!, Moja zbrodnia, O Crime é Meu, Моё преступление, Zločin je moj, Brottet är mitt, 罪美人, Suç Bende, Мій злочин, My Crime
監督: François Ozon
脚本: François Ozon, Philippe Piazzo, Georges Berr, Louis Verneuil
制作 & ジャンル
プロデューサー:
制作会社: Mandarin Production, FOZ, Gaumont, France 2 Cinéma, Playtime, SCOPE Pictures, Canal+, Ciné+, France Télévisions
ジャンル: Comedy, Crime, Mystery, Drama, comedy drama, police film, film based on literature
受賞歴 & 類似作品
受賞歴:
類似作品:
ストーリー
In Paris, France, 1935, a young actress named Vadim, played by Adele Exarchopoulos, is acquitted of murdering a renowned French film producer. The trial ends, but questions linger about her innocence. Was it self-defense or cold-blooded murder? As she returns to her acting career, she finds herself entangled in a web of deceit and manipulation, with powerful figures determined to conceal the truth about the crime. The story explores Vadim's struggle for redemption and her quest for justice while navigating the treacherous world of French cinema.
概要
Directed by François Ozon, 'Mon Crime' is a noirish comedy-drama set against the backdrop of 1930s Parisian film industry. Based on Louis Verneuil's novel 'Un crime', the film weaves together elements of mystery, drama, and dark humor to tell the story of Vadim, an actress accused of murdering a powerful producer. Ozon masterfully examines themes of power dynamics, gender roles, and moral ambiguity within the context of France's Golden Age of cinema.