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再生時間: 372 秒 | ヌード: xxx | 作成者: supers992 |
新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 281 mb |
ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1920x1036 | 追加日: 2023-Nov-15 |
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Hoda Taheri, born in 1992, is an Iranian filmmaker currently based in Berlin. She completed her bachelor's degree in visual communication and professional design at Limkokwing University in Malaysia in 2016. Due to her involvement in controversial film projects and acting roles, she fled to Germany in 2018. Upon arriving in Berlin in 2019, Taheri began studying as a Film Director at DFFB (Deutsche Film und Fernsehakademie Berlin). Her debut short film 'Mother Prays All Day Long' (2022) received a Special Mention at the Locarno Film Festival and was nominated for the German Short Film Award. Her second short film, 'As If Mother Cried That Night', premiered in Locarno in 2023. Taheri is currently developing her debut feature film, 'I'll Plant My Hands in the Garden', a co-direction project with Boris Hadžija.
本名: Magdalena Jacob
生年月日: N/A
出生地: N/A
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キャリアハイライト:
Magdalena Jacob, actress known for 'Madar tamame rooz doa mikhanad (short) (2022)', played a role involving an Iranian asylum seeker in Berlin who becomes emotionally and sexually involved with her character due to complex situations related to German bureaucracy and questions about sexuality.
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類似作品: N/A
Hoda, an Iranian asylum seeker in Berlin, navigates the complex labyrinth of German bureaucracy while grappling with her sexuality. She meets Magdalena, a woman who offers to marry Hoda for a chance at asylum. Despite knowing this arrangement is largely transactional, Hoda finds herself emotionally and sexually drawn to Magdalena. Their relationship becomes increasingly complicated as they both struggle with their feelings, leading to unexpected consequences.
'Madar tamame rooz doa mikhanad' (2022) is a German short drama film directed by Hoda Taheri, who also co-wrote the script with Magdalena Jacob. The film explores themes of immigration, sexuality, and the complexities of human connection within the context of bureaucracy and desperation. It offers a nuanced portrayal of a woman navigating asylum-seeking processes while grappling with her personal desires.