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再生時間: 425 秒 | ヌード: yes | 作成者: zorg |
新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 310 mb |
ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1480x1080 | 追加日: 2023-Sep-26 |
別名: Chantal Ackerman, Chantal Anne Akerman, 샹탈 아커만, 샹탈 아케르만, 샹탈 애커만
身体的特徴: N/A
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主な役:
キャリアハイライト:
Chantal Anne Akerman (1950-2015) was a Belgian film director, artist, and professor of film at City College, New York. Known for her 1975 film 'Jeanne Dielman', she distanced herself from the feminist label while acknowledging influences from Gilles Deleuze, Felix Guattari, Michael Snow, and Jean-Luc Godard. Akerman's directorial style has been cited as an influence by directors such as Kelly Reichardt, Gus Van Sant, and Sofia Coppola.
別名: Claire Vauthion
身体的特徴: N/A
初出演:
主な役:
キャリアハイライト:
Claire Wauthion was born on June 12, 1945 in Rongy, Wallonia, Belgium. She is an actress known for her roles in 'Les brigades du Tigre' (1974), 'Tristan et Iseult' (1972), and 'Trompe l'oeil' (1975).
公開年: 1974
別題: Yo, Tú, Él, Ella, Ik, jij, hij, zij, Eu, Tu, Ele, Ela, Je, tu, il, elle, 私、あなた、彼、彼女, Yo, tú, él y ella, Ja, ty, on, ona, Я, ты, он, она, Ich, du, er, sie, I, You, He, She
監督: Chantal Akerman
プロデューサー:
制作会社: Paradise Films, French Ministry of Foreign Affairs
ジャンル: Drama, Romance, drama film, LGBT-related film, romance film, French New Wave
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類似作品:
After a breakup, a woman attempts to cope with her emotions by isolating herself in her room for over a month, surviving on powered sugar. She paints her walls twice, writes and rewrites a letter to her former lover, and waits. Eventually, driven by hunger, she leaves her home and flags down a truck driver. They drive through the night, stopping at various locations where he attempts to engage in sexual acts with her, but she refuses. He ultimately shares intimate details about his life. She then goes to her former lover's apartment, seeking refuge. Her lover initially refuses to let her stay but eventually feeds her and allows her to spend the night. They reconnect emotionally and physically.
Je tu il elle is a stark and contemplative drama directed by Chantal Akerman in 1974. The film explores themes of heartbreak, isolation, and resilience through its minimalist narrative focused on a woman's struggle to cope with a recent breakup. Shot in real-time, the movie is an early example of French New Wave cinema and LGBT-related films.