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Trolösa (2000) のシーン
シーン詳細
| 再生時間: 487 秒 | ヌード: yes | 作成者: supers992 |
| 新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 157 mb |
| ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1920x1038 | 追加日: 2022-Aug-29 |
このシーンの女優
Lena Endre
詳細
別名: Lene Endre, Лена Эндре
身体的特徴: N/A
経歴
初出演:
主な役:
キャリアハイライト:
完全な経歴
Lena Endre, born on July 8, 1955 in Lidingö, Stockholm County, Sweden, is an acclaimed actress known for her roles in Swedish and Norwegian film and television. She rose to prominence in the 1980s through TV series like 'Varuhuset' and 'Lorry'. Endre gained international recognition for her role as Katarina in the 'Wallander' series and her collaboration with director Liv Ullmann in 'Trolösa' (2000). She has also been nominated for Best Leading Actress at the Swedish Guldbagge Awards for her performances in 'Dag och Natt' and 'Himlens Hjärta', both directed by Simon Staho. Endre is married to Swedish director Richard Hobert since 2000, having two children from a previous marriage with actor Thomas Hanzon.
映画について: Trolösa (2000)
公開年: 2000
国: N/A
別題: Infidelidades, Infiel, Faithless, Infidelidad, Nevěra, Troløs, Uskoton, Infidèle, Die Treulosen, Hűtlenek, L'infedele, Wiarołomni, Неверная, 트로로사, 狂情錯愛, Невірна
監督: Liv Ullmann
脚本: Ingmar Bergman
制作 & ジャンル
プロデューサー: N/A
制作会社: N/A
ジャンル: Drama, Romance
受賞歴 & 類似作品
受賞歴:
類似作品: N/A
ストーリー
In 'Trolösa,' Marianne, a theatre actress married to Markus, an orchestra conductor, begins an affair with their mutual friend and director, David. This extramarital relationship leads to a painful divorce between Marianne and Markus, as they fight for custody of their daughter, Isabelle. Despite being fictional characters created by Ingmar Bergman, their experiences become intensely real and traumatic.
概要
'Trolösa' is a 2000 drama directed by Liv Ullmann, based on her own adaptation of an unproduced screenplay by Ingmar Bergman. The film explores the complexities of love, relationships, and the blurring line between fiction and reality through its central characters, Marianne, Markus, and David. Although set within the context of Bergman's creative process, the story becomes deeply personal and profound as it delves into the consequences of Marianne's affair.