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再生時間: 179 秒 | ヌード: yes | 作成者: supers992 |
新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 109 mb |
ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1280x532 | 追加日: 2021-Jul-13 |
別名: Emmanuelle Beart, Emmanuelle Est, Эммануэль Беар, Эмманюэль Беар, امانوئل بئار, エマニュエル・ベアール, 艾曼紐·琵雅
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Emmanuelle Béart, a prominent French film actress, has appeared in over 50 productions since her debut in 1972. She won a César Award for Best Supporting Actress for 'Manon des Sources' (1986) and was nominated seven more times for Most Promising Actress and Best Actress categories. Notably, she starred as Marianne in the 1991 French art film 'La Belle Noiseuse', directed by Jacques Rivette.
別名: Karine Viard, Карин Вьяр, Карін Віар, Карін В’яр, カリン・ヴィアール
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Karin Viard, born on January 24, 1966, is a renowned French actress who started her film career with 'Tatie Danielle' in 1990. Notable films she has appeared in include 'Delicatessen', 'L'Emploi du temps (Time Out)', 'Adultère, mode d'emploi', and 'La parenthèse enchantée'. She was also a jury member at the 2003 Cannes Film Festival.
公開年: 2005
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別題: Pakao, Inferno, Ад, Wie in der Hölle, Pokol, 美しき運命の傷痕, Piekło, Hell
監督: Danis Tanovic
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ジャンル: Drama
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In Paris, a family's patriarch is accused by his wife of pedophilia, leading to tragedy. Years later, their three daughters lead independent but dysfunctional lives, never meeting. The middle sister, Sophie, discovers her husband Pierre's affair with Julie and is left heartbroken when Julie ends the relationship upon learning Pierre has children. The youngest sister, Anne, becomes involved with her married professor Frédéric, with whom she becomes pregnant. The eldest sister, Céline, visits their handicapped mute mother Marie in an asylum. A stranger named Sébastien contacts Céline, revealing secrets from their past that threaten to disrupt the sisters' relationships.
L'enfer is a 2005 French drama directed by Danis Tanović. It follows the lives of three estranged sisters years after their family was torn apart by accusations against their father. Each sister struggles with her own dysfunctional life, grappling with themes of betrayal, love, and loss. The film explores how past traumas can resurface to disrupt present lives.