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Kladivo na carodejnice (1970) のシーン

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シーン詳細

再生時間: 209 秒ヌード: yes作成者: supers992
新ファイルサイズ: N/A音声: yes旧ファイルサイズ: 154 mb
ファイル形式: AOMedia Video 1 (WebM/AV1)解像度: 1920x816追加日: 2020-Oct-02

このシーンの女優


Jaroslava Obermaierová のポートレート

Jaroslava Obermaierová

本名: Jaroslava Obermaierová

生年月日: 1946-04-10

出生地: Prague, Czechoslovakia [now Czech Republic]

詳細

別名: Jaroslava Obermajerová, Jaroslava Obermaierova, Jaroslava Obermeierová

身体的特徴: N/A

経歴

初出演:

  • Seven Days in a Week (1965) as

主な役:

  • Pražský chodec (1976) as
  • Rose Mary (1977) as Lady Jane
  • Cizí lidé (1984) as
  • Stáří není pro sraby (2021) as Kňourová
  • Odysseus and the Stars (1976) as Mother
  • „Rakev ve snu viděti...“ (1968) as
  • Tvář za sklem (1979) as
  • Sedm kilo pro Králíčka (1979) as
  • Hastrmanská povídačka (1979) as
  • Happy End (1967) as Jůlie

キャリアハイライト:

  • Pražský chodec (1976)
  • Rose Mary (1977)
  • Cizí lidé (1984)
  • Stáří není pro sraby (2021)
  • Odysseus and the Stars (1976)
  • „Rakev ve snu viděti...“ (1968)
  • Tvář za sklem (1979)
  • Sedm kilo pro Králíčka (1979)
  • Hastrmanská povídačka (1979)
  • Happy End (1967)

Sona Valentová のポートレート

Sona Valentová

本名: Soňa Valentová

生年月日: 1946-06-03

出生地: Trnava, Slovakia

詳細

別名: Sona Hasprová, Sona Valentova

身体的特徴: N/A

経歴

初出演:

  • Noc v internáte (1965) as

主な役:

  • Concert for the survivors (1977) as
  • Počítač (1987) as
  • Sila lásky (1990) as
  • Šesťkrát žena (1988) as
  • The Feather Fairy (1985) as Stepmother
  • Witchhammer (1970) as Zuzana
  • Mária Tudorová (1968) as
  • Noc v internáte (1965) as
  • Veľká poľovačka (1975) as
  • Requiem for a Maiden (1992) as Volfová

キャリアハイライト:

  • Concert for the survivors (1977)
  • Počítač (1987)
  • Sila lásky (1990)
  • Šesťkrát žena (1988)
  • The Feather Fairy (1985)
  • Witchhammer (1970)
  • Mária Tudorová (1968)
  • Noc v internáte (1965)
  • Veľká poľovačka (1975)
  • Requiem for a Maiden (1992)

完全な経歴

Sona Valentová, born in then-Czechoslovakia, rose to prominence playing the role of Maryna Schuchová in the 1970 film 'Kladivo na carodejnice'. The movie, set in the 17th century, follows Schuchová, a beggar accused of witchcraft after hiding the Host during communion. Valentová's character is subjected to torture and manipulation by an inquisitor seeking to seize the possessions of wealthy burghers.

Unknown Girls の詳細な経歴はありません。



映画について: Kladivo na carodejnice (1970)

Kladivo na carodejnice (1970) のポスター

公開年: 1970

国: Czechoslovakia

別題: O Martelo das Bruxas, Kladivo na čarodejnice, Die Hexenjagd, The Witch Hunt, Le marteau des sorcières, Hexenhammer, Oi skotadistes, Boszorkányper, Una vergine per l'inquisitore, Martillo contra las brujas, Un martillo para las brujas, Młot na czarownice, Молот ведьм, Witchhammer, Witches' Hammer, Malj za vestice

監督: Otakar Vávra

脚本: Václav Kaplický, Otakar Vávra, Ester Krumbachová

制作 & ジャンル

プロデューサー:

制作会社: Filmové studio Barrandov

ジャンル: Drama, History, Horror, Thriller, drama film, historical film, horror film

受賞歴 & 類似作品

受賞歴:

  • 3 wins & 1 nomination

類似作品:

  • Metropolis (1927)
  • Apocalypse Now (1979)
  • War of the Worlds (2005)
  • Blade Runner (1982)
  • The Elementary Particles (2006)

ストーリー

In seventeenth-century Czechoslovakia, a beggar woman named Maryna Schuchová hides the Host (the consecrated communion wafer) in her scarf during Communion, intending to give it to midwife Groerová for healing an ailing cow. Young parish priest Schmidt declares Maryna a witch and convinces Countess De Galle to summon Inquisitor Boblig from Edelstadt. Seeing this as an opportunity, Boblig arrives with his assistant Thaler and uses torture and threats to force women to confess to meetings with the devil and memorize lies fabricated for the inquisition tribunal. As accusations spread, wealthy burghers become targets, and their possessions are seized.

概要

'Kladivo na carodejnice' (1970), directed by Otakar Vávra, is a historical drama set during the seventeenth century's witch trials. The film explores themes of power abuse and manipulation through the story of Maryna Schuchová, who inadvertently becomes a target of religious hysteria. This chilling tale serves as a critique of fanaticism and opportunism in positions of authority.