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再生時間: 709 秒 | ヌード: yes | 作成者: supers992 |
新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 225 mb |
ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 720x400 | 追加日: 2020-Jul-09 |
本名: Isabelle Menke
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Isabelle Menke starred as Nina in the 2006 German film 'Montag kommen die Fenster'. In the movie, Nina, a doctor and married mother of one, temporarily leaves her family to visit her brother Christoph at an isolated cabin. She then stays at a sports hotel where she briefly interacts with an old tennis pro before eventually returning home without her windows being replaced.
別名: Ulla Renneke, Ursula Reneke
身体的特徴: N/A
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Ursula Renneke, starring as Nina in 'Montag kommen die Fenster' (2006), plays a doctor with a strained relationship to her husband Frieder. She visits her brother Christoph at an isolated cabin and then stays at a sports hotel where she briefly interacts with an old tennis pro. After her family finds her, she returns home but refuses new windows delivered for the house.
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類似作品: N/A
Frieder and his wife Nina, a doctor, are renovating their house but their relationship is strained. Instead of picking up their young daughter Charlotte from school, Nina drives to visit her brother Christoph at an isolated cabin in the woods. She then cycles to a nearby sports hotel where she wanders aimlessly before briefly interacting with an elderly tennis pro. Frieder and Charlotte eventually find Nina at the hotel, but she chooses not to return home with them. After removing all the old windows from their house, Frieder refuses to accept the replacement ones delivered by the glassmaker. Meanwhile, Frieder has an affair with Maria, who is now Charlotte's nursery school teacher. Eventually, Nina returns to their windowless house.
Montag kommen die Fenster (2006), directed and written by Ulrich Köhler, is a German drama film that explores themes of disconnection and alienation within familial relationships. The story follows Nina, a doctor, who leaves her family mid-renovation project to visit her brother in an isolated cabin before spending time at a nearby sports hotel. The film's title translates to 'Monday the Windows Come,' hinting at Frieder's rejection of reality by refusing new windows for their house after removing the old ones. Köhler uses minimal dialogue and focuses on visual storytelling, creating a slow-burn narrative that examines the characters' inner turmoil.