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Tenshi no harawata: Akai inga (1981) のシーン
シーン詳細
| 再生時間: 1364 秒 | ヌード: yes | 作成者: zorg |
| 新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 980 mb |
| ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1920x1080 | 追加日: 2020-May-31 |
このシーンの女優
Jun Izumi
詳細
別名: Izumijun, جون ایزومی, 泉じゅん, 泉淳
身体的特徴: N/A
経歴
初出演:
主な役:
キャリアハイライト:
完全な経歴
Jun Izumi rose to fame for her role in 'Chikubi ni Piasu o Shita Onna' (1983). The movie, which explores intriguing secrets behind its characters, revolves around Izumi's character who becomes increasingly captivating as she discovers Bole's eccentricities, particularly his collection of wines stored in a vault.
Kyoko Ito
詳細
別名: Itō kyōko, 伊藤京子
身体的特徴: N/A
経歴
初出演:
主な役:
キャリアハイライト:
完全な経歴
Kyoko Ito played Nami in the 1981 Japanese film 'Tenshi no harawata: Akai inga'. Her character works at a department store and is asked to substitute for a friend in a magazine photo-shoot, which leads to her being fired and abandoned by her lover. Ito's character also encounters a violent incident involving an otaku loner named Muraki.
映画について: Tenshi no harawata: Akai inga (1981)
公開年: 1981
国: Japan
別題: Angel Guts: Red Porno, Tenshi no harawata 4, 天使のはらわた 赤い淫画
監督: Toshiharu Ikeda
脚本: Takashi Ishii
制作 & ジャンル
受賞歴 & 類似作品
受賞歴: N/A
類似作品:
ストーリー
Nami, employed at a department store, unwittingly participates in a provocative photo-shoot for an S&M magazine called 'Red Porno'. After the photos are published, she loses her job and is abandoned by her lover. Meanwhile, Muraki, an unpopular otaku loner who becomes infatuated with Nami's story, attempts to reach out to her but is mistaken for a rapist and fatally shot by a woman. The film follows their tragic entanglements as Nami struggles with societal judgment and Muraki's misguided affection.
概要
Tenshi no harawata: Akai inga (1981), directed by Toshiharu Ikeda from Takashi Ishii's screenplay, is a compelling blend of drama, horror, and thriller. Set against the backdrop of societal judgment and misunderstanding, this film explores themes of redemption and consequence through its protagonist Nami. It also provides a poignant glimpse into the marginalized subculture of otaku in 1980s Japan.