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Greetings (1968) のシーン
シーン詳細
| 再生時間: 304 秒 | ヌード: yes | 作成者: zorg |
| 新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 189 mb |
| ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1280x720 | 追加日: 2019-Jul-25 |
このシーンの女優
Ashley Oliver
本名: Ashley Oliver
生年月日: N/A
出生地: N/A
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完全な経歴
Ashley Oliver starred in 'Greetings' (1968), an offbeat film about three friends navigating themes like free love, politics, and amateur filmmaking.
Roz Kelly
詳細
別名: Roz 'Pinky Tuscadero' Kelly
身体的特徴: N/A
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Roz Kelly, born Rosiland Schwartz on July 29, 1943, is an American actress known for playing Fonzie's girlfriend Carol 'Pinky' Tuscadero on Happy Days.
Rutanya Alda
詳細
別名: Ratanya Alda, Rutanya Skrastina, Ruth Alda
身体的特徴: N/A
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Rutanya Alda, born on October 13, 1942, is a Latvian-American actress.
Sara-Jo Edlin
本名: Sara-Jo Edlin
生年月日: N/A
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映画について: Greetings (1968)
公開年: 1968
別題: Quem Anda Cantando Nossas Mulheres, Поздравления, U.S. Greetings - Hilsen fra Amerika, Üdvözletek, Ciao America, Linkejimai, Pozdrowienia, Приветствия, Saludos, Greetings - Grüße, Grüße
監督: Brian De Palma
制作 & ジャンル
受賞歴 & 類似作品
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類似作品: N/A
ストーリー
Greetings is an offbeat and episodic comedy-drama centered around three friends navigating the cultural landscape of late 1960s New York City. Paul, a shy young man seeking love, serves as our primary protagonist. His life intertwines with that of Lloyd, a charismatic conspiracy theorist convinced that the Kennedy assassination was a plot orchestrated by the CIA and mafia. The third friend is Jon, an aspiring filmmaker and voyeur who often spies on his neighbors through their windows. Throughout the film, these friends navigate various subcultures, including free love communities, anti-war protests, and underground cinema scenes. Alongside their personal growth and interpersonal dynamics, they satirize and comment upon the societal issues of their time, such as the Vietnam War, political conspiracies, and amateur filmmaking.
概要
Greetings is a seminal work in Brian De Palma's early career, showcasing his distinctive style and social commentary that would become trademarks of his later films. Released in 1968 amidst the societal upheaval of the late sixties, it captures the zeitgeist of its time, exploring themes of counterculture, conspiracy theories, and political activism through a comedic lens. The film is notable for its improvised dialogue, non-linear storytelling, and raw, guerrilla-style filmmaking, which helped define the cinematic language of American independent cinema in the late 1960s.