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Scene from Never Here (2017)
Scene Details
| Duration: 132 sec. | Nudity: yes | Creator: zorg |
| New Filesize: N/A | Sound: yes | Old Filesize: 162 mb |
| File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 1920x800 | Added: 2019-Jun-07 |
Actresses in this Scene
Mireille Enos
Details
Alternate Names: Mirelle Enos, Marie Mireille Enos, میری انوس
Physical Characteristics: N/A
Career
First Appearances:
Most Important Roles:
Career Highlights:
Full Biography
Mireille Enos, born on September 22, 1975, in Houston, Texas, is an actress who stands at 5'2" (1.57 m). She attended Brigham Young University and was raised as a member of the Church of Jesus Christ of Latter-day Saints, though her current religious affiliation is unclear. Enos was nominated for a Tony Award in 2005 for her role in 'Who's Afraid of Virginia Woolf' on Broadway. She is known for her roles in HBO's 'Big Love,' playing twin sisters Kathy and Jodeen Marquart, and as Detective Sarah Linden in AMC's 'The Killing.' Enos married actor Alan Ruck on January 4, 2008, and they have a daughter named Vesper Vivianne Ruck born on September 23, 2010.
About the Movie: Never Here (2017)
Release Year: 2017
Nation: United States of America
Alternative Title: You Were Never Here
Director: Camille Thoman
Writer: Camille Thoman
Production & Genre
Producer(s):
Companies: Before the Door Pictures, Wonderbar Productions
Genre: Drama, Mystery, Thriller
Awards & Similar
Awards:
Similar: N/A
Story
Never Here follows Miranda Fall (Mireille Enos), an installation artist who photographs strangers for her art. As she continues her practice, she begins to feel that someone might be watching her too, blurring the line between being the observer and the observed. Disturbing events lead her to suspect that she herself is now the subject of surveillance.
Summary
Never Here (2017) is a psychological thriller directed by Camille Thoman. The film centers around Miranda Fall, an artist who captures images of strangers for her installations. The plot subverts genre norms by exploring themes of identity, observation, and the unsettling potential of being watched back. Although details are scarce due to limited sources, it's clear that the movie delves into Miranda's increasingly paranoid state as she believes herself to be the target of surveillance.