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再生時間: 609 秒 | ヌード: yes | 作成者: Ruffah |
新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 460 mb |
ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1440x1050 | 追加日: 2019-Jan-13 |
別名: Bernadette La Font, Bernadette Paule Anne Lafont
身体的特徴: N/A
初出演:
主な役: N/A
キャリアハイライト:
Bernadette Lafont was a French actress, born on October 28, 1938, and passed away on July 25, 2013. She gained significant popularity as one of the muses of the French New Wave cinema in the late 1950s to the mid-1970s. Her notable roles include 'Les Mistons' (1957) directed by François Truffaut, 'Les Bonnes Femmes' (1960) by Claude Chabrol, and 'La Maman et la Putain' (1973) by Jean Eustache.
別名: Francoise Lebrun, François Lebrun
身体的特徴: N/A
初出演:
主な役:
キャリアハイライト:
Françoise Lebrun is a French film and television actress.
公開年: 1973
国: N/A
別題: A Mãe e a Puta, Moderen og luderen, Äiti ja huora, I mama kai i poutana, A mama és a kurva, Mama to Shôfu, Mammaen og horen, Mama i dziwka, Мамочка и шлюха, Mamman och horan, The Mother and the Whore, La madre y la ramera, Die Mama und die Hure
監督: Jean Eustache
脚本: Jean Eustache
プロデューサー: N/A
制作会社: N/A
ジャンル: Comedy Film, Drama, Romance
受賞歴:
類似作品: N/A
In Paris, Alexandre, an unemployed young man with memories of the May 1968 events in France, attempts to persuade his former lover Gilberte to marry him but she refuses. Alexandre lives with his girlfriend Marie and has casual relationships. He meets Veronika, a promiscuous Polish French nurse, at Les Deux Magots café after failing to reconcile with Gilberte. Back at Alexandre's apartment, Marie lets Veronika in while they are nude in bed. Veronika insults them but also admits she is not pure herself. The three begin a ménage à trois, with Veronika assuring both Alexandre and Marie of her love for him. Despite Marie initially expressing indifference to Alexandre's affairs, she grows distant as his relationship with Veronika deepens. As the trio sits together, Veronika tries to reassure Marie about her appearance and expresses her beliefs that no women are truly whores and love is meaningless without producing a child.
La maman et la putain (1973), directed by Jean Eustache, is a French film set against the backdrop of Parisian life in the early 1970s. The story revolves around Alexandre, an unemployed young man who unsuccessfully tries to rekindle his relationship with Gilberte while living with his girlfriend Marie and engaging in casual affairs. Upon meeting Veronika, a sexually liberated nurse, the three begin an unconventional living arrangement. The film explores themes of love, jealousy, and sexual freedom amidst societal changes following the May 1968 events in France.