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エピソード: Season 1, Episode 6
再生時間: 242 秒 | ヌード: yes | 作成者: Ruffah |
新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 106 mb |
ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 960x720 | 追加日: 2018-May-16 |
初出演:
主な役:
キャリアハイライト:
Helena Ranaldi starred as Anita in 'Presença de Anita' series (2001). Her character, an 18-year-old with significant life experience, moves into a house with a past crime of passion and forms a love triangle with Fernando, an architect, and Zezinho, his young neighbor. The story explores how their interactions forever change everyone involved.
公開年: 2001
国: Brazil
別題: N/A
監督: Alexandre Avancini, Edgard Miranda, Manoel Carlos, Ricardo Waddington
プロデューサー:
制作会社: Estúdios Globo
ジャンル: Comedy, Drama, Mystery, Telenovela, Television Series Based On A Novel
受賞歴:
類似作品:
キーワード: based on novel or book, betrayal, erotic, lolita, nymphette, nymphomaniac, older man younger woman relationship, romance, voyeur
Presença de Anita revolves around Lucia and Fernando, an urban São Paulo couple experiencing marital issues. Fernando, an aspiring writer, seeks inspiration during their family trip to Florence by pursuing an old dream of writing a novel. He meets Anita, an 18-year-old with extensive life experience, who becomes his muse and the ideal character for his book. Anita moves into a house where a crime of passion had occurred previously, captivating Fernando and awakening Zezinho's first love across the street. This love triangle irrevocably changes their lives.
Presença de Anita is a Brazilian telenovela that aired in 2001, directed by Alexandre Avancini, Edgard Miranda, Manoel Carlos, and Ricardo Waddington. Based on the provided plots, it appears to be a drama centered around love, passion, destiny, and the consequences of pursuing one's desires. The series explores themes such as marital crisis, betrayal, and the dynamic between an older man (Fernando) and a younger woman (Anita). Set against the backdrop of São Paulo and Florence, Anita's character is described as a nymphette or Lolita figure who seduces Fernando, potentially destroying his family life. However, detailed context, themes, or significance beyond these plot points are not provided in the sources.