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再生時間: 383 秒 | ヌード: yes | 作成者: Ruffah |
新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 77 mb |
ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 720x400 | 追加日: 2017-Aug-03 |
本名: Flavia Lorenzi
生年月日: N/A
出生地: N/A
初出演:
主な役:
キャリアハイライト:
別名: Rosane Holland, Rosane Mulholland, Rosanne Holland
身体的特徴: N/A
初出演:
主な役:
キャリアハイライト:
Rosanne Santos Mulholland, born as Rosanne Holland, is a Brazilian actress known for her versatility and adaptability. She started using her real surname after appearing in the short film '14 Bis' (2006), previously signing as Rosanne Holland due to pronunciation concerns. Director Carlos Reichenbach praised her as 'a volcano, wonderful; she adapts to any role, she has freshness, she has a universal face'. She gained recognition as 'the new darling of national cinema' after starring in 'Falsa Loura' (2007). However, there's no substantial information provided about her personal life or early career.
プロデューサー:
制作会社: Vereda Filmes, Contracosta Produções, Dezenove Som e Imagem
ジャンル: Comedy, Drama, drama film
受賞歴:
類似作品: N/A
In São Paulo, Silmara is a hardworking factory employee who supports her unemployed father Antero, an ex-convict and arsonist. She leads her colleagues and friends during work hours but fantasizes about pop singer Bruno and romantic Luís after hours. When Antero finds employment with lawyer Dr. Vargas, he gives Silmara money to attend Bruno's concert. After meeting Bruno and spending a night together, she joins his band for a show in Itanhaém while her father moves to São José dos Campos as a gardener. Upon seeing a malicious fire on TV, Silmara returns home and finds the police chasing Antero. Later, she is invited to work as an escort service for Leonardo.
'Falsa Loura' (2007) is a Brazilian comedy-drama film directed by Carlos Reichenbach, exploring themes of class struggle, family dynamics, and self-discovery through its protagonist Silmara. The film follows Silmara's journey from her humble life working in a factory to her brief flirtation with fame while accompanying pop singer Bruno on tour. Alongside this narrative is the story of her father Antero, an ex-convict struggling to find employment. The film provides a candid portrayal of working-class life and relationships in São Paulo.