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House of Mortal Sin (1976) のシーン

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シーン詳細

再生時間: 55 秒ヌード: yes作成者: zorg
新ファイルサイズ: N/A音声: yes旧ファイルサイズ: 24 mb
ファイル形式: AOMedia Video 1 (WebM/AV1)解像度: 592x368追加日: 2017-May-17

このシーンの女優


Susan Penhaligon のポートレート

Susan Penhaligon

本名: Susan Penhaligon

生年月日: 1949-07-03

出生地: Manila, Philippines

経歴

初出演:

  • The Rivals (1970) as Maid

主な役: N/A

キャリアハイライト:

  • Soldier of Orange (1977)
  • The Land That Time Forgot (1974)
  • The Masks of Death (1984)
  • Patrick (1978)
  • Into the Night (2021)
  • The Taming of the Shrew (1980)
  • The Uncanny (1977)
  • Private Road (1971)
  • House of Mortal Sin (1976)

完全な経歴

Susan Penhaligon starred in 'Private Road' (1971), a love story between a young depressive girl and a talented young writer, depicting their first steps into adulthood.


映画について: House of Mortal Sin (1976)

House of Mortal Sin (1976) のポスター

公開年: 1976

国: United Kingdom

別題: La casa del pecado mortal, Mortelles confessions, The Confessional Murders, To spiti me ta thanasima amartimata, La casa del peccato mortale, Дом смертного греха, The Confessional, Haus der Todsünden

監督: Pete Walker

脚本: David McGillivray, Pete Walker

制作 & ジャンル

プロデューサー:

制作会社: Peter Walker (Heritage) Ltd.

ジャンル: Horror

受賞歴 & 類似作品

受賞歴:

  • 1 nomination total

類似作品:

  • Scream 7 (2026)
  • Torso (1973)
  • Darna Zaroori Hai (2006)
  • Freeway Killer (2009)
  • Son of Dracula (1943)

キーワード

ストーリー

A troubled young girl seeks solace by confessing her sins at their local church. However, the sexually frustrated priest she confides in becomes obsessed with her. Initially, he merely stalks the girl, but his fixation escalates to extreme lengths as he resorts to blackmail and even murder to get closer to her.

概要

Directed by Pete Walker, 'House of Mortal Sin' (also known as 'The Confessional') is a horror film that critiques institutional hypocrisy, specifically within the Catholic Church. The story revolves around a young girl's confession turning into a nightmare due to a priest's sexual obsession with her. Despite its title and premise, it leans more towards thriller than typical horror, making it somewhat of a proto-slasher film. Walker's critique of institutional corruption through this tale of obsession is a significant aspect of the movie.