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再生時間: 184 秒 | ヌード: xxx | 作成者: unknown |
新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 136 mb |
ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1920x1080 | 追加日: 2016-Dec-16 |
別名: Saskia Ten Batenburg, Saskia van Basten-Batenburg
身体的特徴: N/A
初出演:
主な役:
キャリアハイライト:
Unknown Girl の詳細な経歴はありません。
公開年: 1980
国: Netherlands
別題: Descontrol, Sem Controle, Vivir a tope, Nuoria haaveita, Spetters, o horos ton xegrammenon, Machos, Viver Sem Amanhã, Seks na motorju, Заводные, Spetters - Knallhart und romantisch
監督: Paul Verhoeven
プロデューサー:
制作会社: VSE Film, Endemol Entertainment
ジャンル: Drama, Romance, Sport, drama film, coming-of-age fiction, LGBT-related film
受賞歴: N/A
類似作品:
In 'Spetters', three friends from a small Dutch town—Hans (Hans Dumol), Toon (Toon Agodi), and Willem (Willem de Ridder)—are amateur dirt bike racers dreaming of turning professional. They idolize Gerrit Witkamp (Rutger Hauer), a local hero who made it big. The trio spends their days practicing and their nights drinking at the local bar. Their lives change when they meet Marlyse (Annemarie Van Dommelen) and her brother Frank (Frank Lammers), who run a concession stand at the races. Each of the three friends falls in love with Marlyse, leading to jealousy and tension among them. Meanwhile, Gerrit's protégé, Hans, begins to suspect that Gerrit is involved in drugs and feels betrayed when he learns that Gerrit has been using his racing winnings for investments in a local brothel. The story explores themes of friendship, rivalry, love triangles, and the consequences of pursuing fame at any cost.
'Spetters' (1980) is a Dutch drama film directed by Paul Verhoeven and co-written with Gerard Soeteman and Jan Wolkers. Set in the close-knit world of amateur motocross racing, it's an intense exploration of youth culture, ambition, and the complexities of relationships. The story revolves around three friends who dream of becoming professional racers while navigating jealousy and rivalry as they all fall for the same woman. The film is notable for its raw portrayal of Dutch youth and their subculture, as well as its unflinching exploration of sexual tension and homophobia among young men. 'Spetters' marked a significant milestone in Verhoeven's career, showcasing his ability to tackle challenging themes with gritty realism.