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再生時間: 155 秒 | ヌード: yes | 作成者: Ruffah |
新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 135 mb |
ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1920x808 | 追加日: 2016-May-27 |
初出演:
主な役:
キャリアハイライト:
本名: Joana Fernandes
生年月日: N/A
出生地: N/A
初出演:
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別名: Paula Magalhaes, Paula Magalhães
身体的特徴: N/A
初出演:
主な役:
キャリアハイライト:
本名: Sofia Costa Campos
生年月日: N/A
出生地: N/A
初出演:
主な役:
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公開年: 2015
国: France, Germany, Portugal, Switzerland
別題: Las mil y una noches: Volúmen 2 - El desolado, Les mille et une nuit: volume 2, le désolé, Tysiac i jedna noc - cz.2, Opuszczony, 1001 noć: Drugi deo - Opustošen, Arabian Nights - Volume II: The Desolate One, Arabian Nights: Volume 2 - The Desolate One
監督: Miguel Gomes
プロデューサー:
制作会社: Shellac Sud, Komplizen Film, Box Productions, O Som e a Fúria
ジャンル: Drama, drama film
受賞歴: N/A
類似作品:
In 'As Mil e Uma Noites: Volume 2 - O Desolado', the third and final installment of Miguel Gomes' triptych, the narrative shifts from magical realism to a dark exploration of Portugal's economic crisis. The film is presented as a series of vignettes, or 'chapters', each providing a snapshot of the desolation and despair felt by the Portuguese during this period. One of the central characters is Dom Pedro IV, who wanders through a Lisbon haunted by unemployment, poverty, and corruption. He encounters various individuals affected by the crisis, including a man obsessed with building models of ships that never set sail, and another who steals money from his mother to feed his gambling addiction. The film also explores the impact of the crisis on cultural heritage, with scenes showing the neglect and decay of historic buildings and traditions. Throughout these chapters, Gomes intercuts interviews with real people affected by the crisis, offering a stark contrast between their grim reality and the fantastical elements present in the previous volumes.
'As Mil e Uma Noites: Volume 2 - O Desolado' is the concluding chapter of Miguel Gomes' ambitious trilogy, 'As Mil e Una Noites'. While the first two volumes blended magical realism with folktales and historical figures, this final installment takes a stark turn towards social commentary. Set against the backdrop of Portugal's economic crisis in the late 2000s and early 2010s, the film offers a bleak portrayal of the country during this period. Gomes uses his signature non-linear storytelling to paint a series of interconnected portraits, each one a glimpse into the despair and hardship faced by ordinary Portuguese people. The film is notable for its unflinching exploration of themes such as unemployment, poverty, corruption, and cultural decay, making it a significant contribution to Portugal's cinematic landscape.