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As Mil e Uma Noites: Volume 2, O Desolado (2015) のシーン

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再生時間: 155 秒ヌード: yes作成者: Ruffah
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このシーンの女優


Inês Gafaniz のポートレート

Inês Gafaniz

本名: N/A

生年月日: N/A

出生地: N/A

詳細

別名: Inez Gafaniz

身体的特徴: N/A

Joana de Verona のポートレート

Joana de Verona

本名: Joana de Verona

生年月日: 1989-12-08

出生地: São Luís, Maranhão, Brazil

経歴

初出演:

  • True and Tender is the North (2008) as

主な役:

  • The Silence Between Two Songs (2013) as Laura
  • Tinnitus (2023) as Marina Lenk
  • Law of Gravity (2014) as
  • The Bull (2015) as
  • Éden (2009) as Eva
  • Rafa (2012) as Sónia
  • The King (2014) as
  • Freud und Friends (2015) as
  • Universo de Mya (2011) as Mya 3
  • Arabian Nights: Volume 2, The Desolate One (2015) as Vânia / Filha da Juíza

キャリアハイライト:

  • The Silence Between Two Songs (2013)
  • Tinnitus (2023)
  • Law of Gravity (2014)
  • The Bull (2015)
  • Éden (2009)
  • Rafa (2012)
  • The King (2014)
  • Freud und Friends (2015)
  • Universo de Mya (2011)
  • Arabian Nights: Volume 2, The Desolate One (2015)

Joana Fernandes のポートレート

Joana Fernandes

本名: Joana Fernandes

生年月日: N/A

出生地: N/A

経歴

初出演:

  • Filhos da Mãe (1996) as Producer

主な役:

  • Danses Macabres, Skeletons, and Other Fantasies (2019) as

キャリアハイライト:

  • Danses Macabres, Skeletons, and Other Fantasies (2019)

Paula Magalhães のポートレート

Paula Magalhães

本名: Paula Magalhães

生年月日: 1993-06-27

出生地: Portugal

詳細

別名: Paula Magalhaes, Paula Magalhães

身体的特徴: N/A

経歴

初出演:

  • O Ídolo (2021) as Ofélia

主な役:

  • Summer Rain (2024) as Ema
  • American Dream (2024) as Penélope
  • O Ídolo (2021) as Ofélia

キャリアハイライト:

  • Summer Rain (2024)
  • American Dream (2024)
  • O Ídolo (2021)

Sofia Costa Campos のポートレート

Sofia Costa Campos

本名: Sofia Costa Campos

生年月日: N/A

出生地: N/A

経歴

初出演:

  • Em Queda-Livre (2025) as

主な役:

  • Em Queda-Livre (2025) as

キャリアハイライト:

  • Em Queda-Livre (2025)


映画について: As Mil e Uma Noites: Volume 2, O Desolado (2015)

As Mil e Uma Noites: Volume 2, O Desolado (2015) のポスター

公開年: 2015

国: France, Germany, Portugal, Switzerland

別題: Las mil y una noches: Volúmen 2 - El desolado, Les mille et une nuit: volume 2, le désolé, Tysiac i jedna noc - cz.2, Opuszczony, 1001 noć: Drugi deo - Opustošen, Arabian Nights - Volume II: The Desolate One, Arabian Nights: Volume 2 - The Desolate One

監督: Miguel Gomes

脚本: Mariana Ricardo, Miguel Gomes, Telmo Churro

制作 & ジャンル

プロデューサー:

制作会社: Shellac Sud, Komplizen Film, Box Productions, O Som e a Fúria

ジャンル: Drama, drama film

受賞歴 & 類似作品

受賞歴: N/A

類似作品:

  • A Short Film About Killing (1988)
  • Tell No One (2006)
  • Amores Perros (2000)
  • Three Colors: Red (1994)
  • 12 Angry Men (1957)

ストーリー

In 'As Mil e Uma Noites: Volume 2 - O Desolado', the third and final installment of Miguel Gomes' triptych, the narrative shifts from magical realism to a dark exploration of Portugal's economic crisis. The film is presented as a series of vignettes, or 'chapters', each providing a snapshot of the desolation and despair felt by the Portuguese during this period. One of the central characters is Dom Pedro IV, who wanders through a Lisbon haunted by unemployment, poverty, and corruption. He encounters various individuals affected by the crisis, including a man obsessed with building models of ships that never set sail, and another who steals money from his mother to feed his gambling addiction. The film also explores the impact of the crisis on cultural heritage, with scenes showing the neglect and decay of historic buildings and traditions. Throughout these chapters, Gomes intercuts interviews with real people affected by the crisis, offering a stark contrast between their grim reality and the fantastical elements present in the previous volumes.

概要

'As Mil e Uma Noites: Volume 2 - O Desolado' is the concluding chapter of Miguel Gomes' ambitious trilogy, 'As Mil e Una Noites'. While the first two volumes blended magical realism with folktales and historical figures, this final installment takes a stark turn towards social commentary. Set against the backdrop of Portugal's economic crisis in the late 2000s and early 2010s, the film offers a bleak portrayal of the country during this period. Gomes uses his signature non-linear storytelling to paint a series of interconnected portraits, each one a glimpse into the despair and hardship faced by ordinary Portuguese people. The film is notable for its unflinching exploration of themes such as unemployment, poverty, corruption, and cultural decay, making it a significant contribution to Portugal's cinematic landscape.