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La mujer es cosa de hombres (1976) のシーン
シーン詳細
| 再生時間: 97 秒 | ヌード: yes | 作成者: Ruffah |
| 新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 13 mb |
| ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 720x400 | 追加日: 2016-Mar-28 |
このシーンの女優
María Luisa San José
詳細
別名: Maria Luisa San Jose, Marisa San Jose, Marisa San José, Marisa Sanjosé, María Luisa Sanjosé, Mª Luisa San Jose, Mª Luisa San José, Mª Luisa Sanjose
身体的特徴: N/A
経歴
初出演:
主な役:
キャリアハイライト:
映画について: La mujer es cosa de hombres (1976)
制作 & ジャンル
ストーリー
La mujer es cosa de hombres (1976) follows the misadventures of a group of Spanish men living in Madrid during the post-Civil War era. The film revolves around two main characters: Ricardo (José Luis López Vázquez), a timid and shy man, and Carlos (Alfredo Landa), his outgoing friend who is always involved in romantic entanglements. Ricardo, despite being married to the devoted Mercedes (Amparo Soler Leal), is secretly in love with his neighbor Teresa (María José Goyanes). Meanwhile, Carlos, a notorious womanizer, has been pursuing Mercedes's sister, Julia (Verónica Forqué). The story unfolds as both men navigate their complicated relationships while trying to uphold the 'machismo' ideals of the time. Ricardo struggles to confess his true feelings to Teresa, while Carlos finds himself falling for Julia more than he initially intended. Throughout the film, they face various humorous and dramatic situations that challenge their views on love and masculinity.
概要
'La mujer es cosa de hombres', directed by Jesús Yagüe and written by José Luis Dibildos, Jesús Yagüe, and José Luis Garci, is a Spanish comedy-drama set in post-Civil War Madrid. Released in 1976, the film provides a comedic exploration of masculinity, love, and relationships during that era. Centered around the contrasting personalities and romantic pursuits of Ricardo and Carlos, the story intertwines their experiences with those of their respective partners and love interests. The film serves as a critique of traditional machismo culture while offering a humorous and relatable portrayal of male insecurities and desires. Lauded for its performances and candid exploration of societal norms, 'La mujer es cosa de hombres' remains an important cinematic representation of Spanish society during the late Francisco Franco regime.