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再生時間: 21 秒 | ヌード: yes | 作成者: Ruffah |
新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 6 mb |
ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 720x400 | 追加日: 2016-Jan-26 |
別名: Isabelle Gelinas
身体的特徴: N/A
初出演:
主な役:
キャリアハイライト:
Isabelle Gélinas, born October 13, 1963 in Montreal, Quebec, began her acting career in theatre with Molière's dramas directed by Jean Davy (1982–86). She appeared in the short film 'Triple sec' (1986) before gaining recognition in films like 'Suivez cet avion' (1989), 'Chouans!' (2009), and television productions. Notable roles include supporting parts in 'Didier' (1997) and 'Paparazzi' (1998). In the 2000s, she focused on comedy films like 'Les gens en maillot de bain ne sont pas (forcément) superficiels' (2001) and television roles, notably in 'Fais pas ci, fais pas ça' since 2007.
公開年: 2001
国: France
別題: Plazowicze nie zawsze sa powierzchowni, People in Swimsuits Aren't (Necessarily) Shallow
監督: Eric Assous
脚本: Eric Assous
プロデューサー: N/A
制作会社: N/A
ジャンル: Comedy, Romance, comedy film
In 'Les gens en maillot de bain ne sont pas (forcément) superficiels', a group of Parisians spend a week together on the Caribbean island of St-Martin. The film follows several intertwining stories: Camille surprises her married lover Philippe, who is vacationing with his family; lonely secretary Laurette hopes to find romance but is torn between Aziz's affections and her desire for playboy hotel host Jimmy; pregnant Anita struggles with Pauline's ex-lover disrupting their holiday; and Carla, a free-spirited woman, coaches Laurette in seduction techniques. By the end of the week, Camille's diary helps reveal how each character's story unfolds.
'Les gens en maillot de bain ne sont pas (forcément) superficiels' is a French comedy-drama directed by Éric Assous and released in 2001. The film explores themes of love, desire, and deception through the interconnected stories of a group of vacationing Parisians on St-Martin. It's a commentary on modern relationships and the complexities of human nature within a holiday setting. The title translates to 'People in Swimsuits Are Not (necessarily) Superficial', reflecting the film's exploration of appearances versus reality.