|
再生時間: 265 秒 | ヌード: yes | 作成者: zorg |
新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 151 mb |
ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1280x544 | 追加日: 2014-Jul-23 |
別名: گابریلا وایلد, ガブリエラ・ワイルド
身体的特徴: N/A
初出演:
主な役:
キャリアハイライト:
Gabriella Wilde, born Gabriella Zanna Vanessa Anstruther-Gough-Calthorpe, is an English model and actress known for her roles in 'The Three Musketeers' (2011) and 'Carrie' (2013). Born into the aristocratic Gough-Calthorpe family in Basingstoke, Hampshire, Wilde's parents are businessman John Austen Anstruther-Gough-Calthorpe and former model Vanessa Mary Theresa Hubbard. She has a younger sister Octavia, five half-siblings, and is unofficially stepsister to Pandora Cooper-Key and Cressida Bonas.
プロデューサー:
制作会社: Sony Pictures Home Entertainment
ジャンル: Drama
受賞歴:
類似作品:
In Venice Beach, California, homeless teenagers Kelley Tanner and Jonas Trumball squat in an empty house owned by wealthy couple Evelyn and David while they are away for a month. Kelley, who grew up in foster care, becomes attached to the family through their home videos, particularly those featuring their deceased daughter Stephanie. Meanwhile, Jonas plans to rob the house and sell the stolen goods to fund a new life in Mexico. When Evelyn and David unexpectedly return, Kelley and Jonas are forced to flee. Kelley later encounters Michael, the family's teenage son, at a movie theater showing 'The Kid'. They begin dating, but Kelley keeps her past hidden from him. As their relationship deepens, Kelley becomes increasingly haunted by the events that led them there.
Directed by Martin Weisz in 2014, 'Squatters' is a dramatic film set against the backdrop of Venice Beach and the Pacific Palisades. The story explores themes of homelessness, displacement, and the desperation it breeds. Kelley Tanner, a drifter with no family, finds herself drawn into an intricate web of deceit and longing after squatting in an affluent home. The film interweaves moments of tension and drama with quiet introspection, capturing the stark contrast between Kelley's newfound attachments and her precarious reality.