|
|
Van Gogh (1991) のシーン
シーン詳細
| 再生時間: 218 秒 | ヌード: yes | 作成者: zorg |
| 新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 212 mb |
| ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1792x1080 | 追加日: 2014-May-13 |
このシーンの女優
Alexandra London
経歴
初出演:
主な役:
キャリアハイライト:
完全な経歴
Alexandra London appeared as Johanna van Gogh, Theo's wife and Vincent's sister-in-law, in the 1991 film 'Van Gogh'. The movie portrays Vincent's final days in Auvers-sur-Oise under Dr. Gachet's care, where he interacts with various characters including Marguerite Gachet, a young maid at the inn named Cathy, and Parisian prostitutes.
映画について: Van Gogh (1991)
制作 & ジャンル
プロデューサー:
制作会社: Cofimage 2, Erato Films, Films A2, Le Studio Canal+, Les Films du Livradois
ジャンル: Biography, Drama, Romance
受賞歴 & 類似作品
受賞歴:
類似作品:
キーワード
キーワード: 19th century, biography, drawing and painting, dying and death, sibling relationship, vincent van gogh
ストーリー
After leaving the asylum, Vincent van Gogh settles in Auvers-sur-Oise under the care of Dr. Gachet and takes residence at a humble inn. In his final days, fewer than 70 before his death by self-inflicted gunshot wound, Vincent continues to paint landscapes and portraits amidst his deteriorating mental health. He becomes involved with several women: Marguerite, Dr. Gachet's daughter; Cathy, a Parisian prostitute; Johanna, Theo's wife; and the inn's maid. Vincent's brother Theo visits him along with Johanna and their baby. Despite his charm and playfulness, Vincent struggles with his mental state, quarrels with Theo in Paris, disparages his own art, dances at a brothel, and has warm yet cold interactions with Marguerite before his eventual suicide.
概要
Directed by Maurice Pialat, 'Van Gogh' (1991) is a biographical drama focusing on Vincent van Gogh's final days in Auvers-sur-Oise. The film explores the tumultuous emotional life of the renowned artist, his relationships with women, and his tumultuous relationship with his brother Theo, who financially supported him throughout his life. While sources differ slightly regarding the extent of Vincent's relationships—one source mentions only Marguerite while another includes Cathy and Johanna—the film is united in its portrayal of Van Gogh's declining mental health and ultimate tragic end.