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エピソード: Season 1, Episode 3
再生時間: 31 秒 | ヌード: yes | 作成者: DeepAtSea |
新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 14 mb |
ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1280x720 | 追加日: 2011-Apr-11 |
別名: ウンミ・モサク, Oluwunmi Mosaku, Вунми Мосаку, وونمی موساکو, 烏米·馬薩庫
身体的特徴: N/A
初出演:
主な役:
キャリアハイライト:
Oluwunmi Mosaku, born in Nigeria in 1986, is a British actress known for her roles in Moses Jones (2009), Vera (2011–2012), and Damilola, Our Loved Boy (2016), for which she won a BAFTA TV Award. She has appeared in Luther (2019), Lovecraft Country (2020), Loki (2021-present), and Deadpool & Wolverine (2024). Mosaku was nominated for a BAFTA for Best Actress and won a BIFA for Best Performance by an Actress in a British Independent Film for her role in His House (2020).
プロデューサー:
制作会社: Left Bank Pictures
ジャンル: Drama, drama film, family drama film
受賞歴: N/A
類似作品:
Father and Son (1981) is a Hong Kong drama film directed by Allen Fong. The movie revolves around the complex relationship between an aging father and his adult son. The father, who was once a wealthy and powerful man, has fallen on hard times due to poor business decisions. Despite this, he remains stubborn and refuses to accept help from others, including his son. The son, on the other hand, is struggling with his own problems – he's unemployed and battling alcoholism. Their relationship is further strained by the father's affair with a much younger woman. As the film progresses, the father becomes increasingly resentful of his son's lack of ambition, while the son feels neglected and unloved. The story reaches its climax when the son discovers his father's infidelity, leading to a bitter confrontation between them. In the end, both men are forced to confront their own flaws and misunderstandings, ultimately leading to a tentative reconciliation.
Father and Son is a poignant exploration of the intricate dynamics between fathers and sons, set against the backdrop of Hong Kong's changing social landscape in the 1980s. Directed by Allen Fong, this drama film offers a realistic portrayal of family dysfunctionality, touching on themes of pride, resentment, and redemption. The movie is notable for its raw emotional depth and unflinching examination of familial relationships, making it a significant contribution to Hong Kong cinema.