|
再生時間: 17 秒 | ヌード: yes | 作成者: CelebTA |
新ファイルサイズ: N/A | 音声: yes | 旧ファイルサイズ: 2 mb |
ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 880x500 | 追加日: 2008-May-01 |
別名: Natasha Jane Richardson
身体的特徴: N/A
初出演:
主な役:
キャリアハイライト:
Natasha Richardson (1963-2009) was an English actress known for her roles in stage and film. Born into the prominent Redgrave acting family, she is best recognized for playing Mary Shelley ('Patty Hearst') in feature films. Richardson earned critical acclaim and multiple awards, including a Tony Award for Best Performance by a Leading Actress in a Musical for 'Cabaret'. Notable works include 'The Handmaid's Tale' (1990), 'Nell' (1994), 'The Parent Trap' (1998), and 'Maid in Manhattan' (2002). She was married to actor Liam Neeson from 1994 until her death. Richardson tragically passed away in 2009 after a head injury sustained during a skiing accident.
公開年: 2005
別題: Asylum - entre la pasión y la demencia, Пагубна страст, Paixão sem Limites, L'asile, Stellas Versuchung, Obsesión, Vangitut, Paranomo pathos, Follia, Oblakana milosc, A Casa da Loucura, Безумие
監督: David Mackenzie
プロデューサー:
制作会社: Paramount Vantage, Seven Arts Pictures
ジャンル: Drama, Romance, Thriller
受賞歴:
類似作品:
キーワード: psychiatrist
In 1950s London, psychiatrist Max Raphael becomes the superintendent of an asylum, moving there with his wife Stella and their son Charlie. Stella feels neglected by Max and finds herself drawn to one of the inmates, Edgar Stark, a sculptor who had killed his wife in a fit of jealousy. Despite knowing about Edgar's past, Stella begins an affair with him during her son's visits. When Edgar escapes, their relationship is discovered, forcing Stella to choose between her family and Edgar.
Set against the backdrop of post-WWII London, 'Asylum' (2005) explores the complex dynamics of passion, jealousy, and guilt within a troubled marriage. Director David Mackenzie delves into the psyches of his characters, each grappling with their own inner turmoil amidst the confines of an asylum. The film is a psychological thriller that blurs the lines between madness and desire, normalcy and obsession.